{"id":1452,"date":"2018-10-10T07:08:59","date_gmt":"2018-10-10T07:08:59","guid":{"rendered":"https:\/\/fundacionricardomartinez.net\/en-us\/?page_id=1452"},"modified":"2022-11-30T13:49:45","modified_gmt":"2022-11-30T19:49:45","slug":"ricardo-martinez","status":"publish","type":"page","link":"https:\/\/fundacionricardomartinez.net\/en-us\/ricardo-martinez\/","title":{"rendered":"Ricardo Mart\u00ednez"},"content":{"rendered":"<p><section id=\"home\" class=\"kc-elm kc-css-352265 kc_row kenty_section_slider\"><div class=\"kc-row-container\"><div class=\"kc-wrap-columns\"><div class=\"kc-elm kc-css-120348 kc_col-sm-12 kc_column kc_col-sm-12\"><div class=\"kc-col-container\"><div class=\"kc-masterslider \">\n\t\t<!-- MasterSlider -->\n\t\t<div id=\"P_MS69d4cbe0037d4\" class=\"master-slider-parent ms-parent-id-64\"  >\n\n\t\t\t\n\t\t\t<!-- MasterSlider Main -->\n\t\t\t<div id=\"MS69d4cbe0037d4\" class=\"master-slider ms-skin-default\" >\n\t\t\t\t \t\t\t\t \n\n\t\t\t<div  class=\"ms-slide\" data-delay=\"4\" data-fill-mode=\"fill\"   >\n\t\t\t\t\t<img decoding=\"async\" src=\"https:\/\/fundacionricardomartinez.net\/en-us\/wp-content\/plugins\/masterslider\/public\/assets\/css\/blank.gif\" alt=\"\" title=\"\" data-src=\"https:\/\/fundacionricardomartinez.net\/en-us\/wp-content\/uploads\/2018\/10\/MujerEntreMagueyes-1950.jpg\" \/>\n\n\t\t\t\t\t<div  class=\"ms-layer caps hps-title4\" style=\"\"      data-ease=\"easeOutQuint\"                data-offset-x=\"120\" data-offset-y=\"270\" data-origin=\"tl\" data-position=\"normal\"  >\n1918 - 2011<\/div>\n\n\t\t\t\t\t<div  class=\"ms-layer hps-title1\" style=\"\"      data-ease=\"easeOutQuint\"                data-offset-x=\"120\" data-offset-y=\"304\" data-origin=\"tl\" data-position=\"normal\"  >\nCronolog\u00eda<br \/>Paralela<\/div>\n\n\n\t\t\t\t<\/div>\n\t\t\t<div  class=\"ms-slide\" data-delay=\"4.2\" data-fill-mode=\"fill\"   >\n\t\t\t\t\t<img decoding=\"async\" src=\"https:\/\/fundacionricardomartinez.net\/en-us\/wp-content\/plugins\/masterslider\/public\/assets\/css\/blank.gif\" alt=\"\" title=\"\" data-src=\"https:\/\/fundacionricardomartinez.net\/en-us\/wp-content\/uploads\/2018\/10\/HombreenReposo-1960.jpg\" \/>\n\n\t\t\t\t\t<div  class=\"ms-layer caps hps-title4\" style=\"\"      data-ease=\"easeOutQuint\"                data-offset-x=\"120\" data-offset-y=\"270\" data-origin=\"tl\" data-position=\"normal\"  >\n1918 - 2011<\/div>\n\n\t\t\t\t\t<div  class=\"ms-layer hps-title1\" style=\"\"      data-ease=\"easeOutQuint\"                data-offset-x=\"120\" data-offset-y=\"304\" data-origin=\"tl\" data-position=\"normal\"  >\nCronolog\u00eda<br \/>Paralela<\/div>\n\n\n\t\t\t\t<\/div>\n\t\t\t<div  class=\"ms-slide\" data-delay=\"4.2\" data-fill-mode=\"fill\"   >\n\t\t\t\t\t<img decoding=\"async\" src=\"https:\/\/fundacionricardomartinez.net\/en-us\/wp-content\/plugins\/masterslider\/public\/assets\/css\/blank.gif\" alt=\"\" title=\"\" data-src=\"https:\/\/fundacionricardomartinez.net\/en-us\/wp-content\/uploads\/2018\/10\/HombreconFondoRojo.jpg\" \/>\n\n\t\t\t\t\t<div  class=\"ms-layer caps hps-title4\" style=\"\"      data-ease=\"easeOutQuint\"                data-offset-x=\"120\" data-offset-y=\"270\" data-origin=\"tl\" data-position=\"normal\"  >\n1918 - 2011<\/div>\n\n\t\t\t\t\t<div  class=\"ms-layer hps-title1\" style=\"\"      data-ease=\"easeOutQuint\"                data-offset-x=\"120\" data-offset-y=\"304\" data-origin=\"tl\" data-position=\"normal\"  >\nCronolog\u00eda<br \/>Paralela<\/div>\n\n\n\t\t\t\t<\/div>\n\n\t\t\t<\/div>\n\t\t\t<!-- END MasterSlider Main -->\n\n\t\t\t \n\t\t<\/div>\n\t\t<!-- END MasterSlider -->\n\n\t\t<script>\n\t\t( window.MSReady = window.MSReady || [] ).push( function( $ ) {\n\n\t\t\t\"use strict\";\n\t\t\tvar masterslider_37d4 = new MasterSlider();\n\n\t\t\t\/\/ slider controls\n\t\t\tmasterslider_37d4.control('bullets'    ,{ autohide:true, overVideo:true, dir:'h', align:'bottom', space:6 , margin:10  });\n\t\t\t\/\/ slider setup\n\t\t\tmasterslider_37d4.setup(\"MS69d4cbe0037d4\", {\n\t\t\t\twidth           : 1400,\n\t\t\t\theight          : 810,\n\t\t\t\tminHeight       : 0,\n\t\t\t\tspace           : 1,\n\t\t\t\tstart           : 1,\n\t\t\t\tgrabCursor      : true,\n\t\t\t\tswipe           : true,\n\t\t\t\tmouse           : true,\n\t\t\t\tkeyboard        : false,\n\t\t\t\tlayout          : \"fullwidth\",\n\t\t\t\twheel           : false,\n\t\t\t\tautoplay        : true,\n\t\t\t\tinstantStartLayers:true,\n\t\t\t\tloop            : true,\n\t\t\t\tshuffle         : false,\n\t\t\t\tpreload         : 0,\n\t\t\t\theightLimit     : true,\n\t\t\t\tautoHeight      : false,\n\t\t\t\tsmoothHeight    : true,\n\t\t\t\tendPause        : false,\n\t\t\t\toverPause       : false,\n\t\t\t\tfillMode        : \"fill\",\n\t\t\t\tcenterControls  : true,\n\t\t\t\tstartOnAppear   : false,\n\t\t\t\tlayersMode      : \"center\",\n\t\t\t\tautofillTarget  : \"\",\n\t\t\t\thideLayers      : false,\n\t\t\t\tfullscreenMargin: 0,\n\t\t\t\tspeed           : 20,\n\t\t\t\tdir             : \"h\",\n\t\t\t\tparallaxMode    : 'swipe',\n\t\t\t\tview            : \"basic\"\n\t\t\t});\n\n\t\t\t\n\t\t\twindow.masterslider_instances = window.masterslider_instances || [];\n\t\t\twindow.masterslider_instances.push( masterslider_37d4 );\n\t\t});\n\t\t<\/script>\n\n<\/div><\/div><\/div><\/div><\/div><\/section><section id=\"about\" class=\"kc-elm kc-css-869951 kc_row\"><div class=\"kc-row-container  kc-container  kenty_section_1\"><div class=\"kc-wrap-columns\"><div class=\"kc-elm kc-css-715976 kc_col-sm-12 kc_column kc_col-sm-12\"><div class=\"kc-col-container\"><div class=\"kc-elm kc-css-434058 kc_row kc_row_inner box-wrap\"><div class=\"box\"><div class=\"kc-elm kc-css-338697 kc_col-sm-12 kc_column_inner kc_col-sm-12\"><div class=\"kc_wrapper kc-col-inner-container\"><div class=\"kc-elm kc-css-919922 kc_row kc_row_inner box-wrap\"><div class=\"kc-elm kc-css-476064 kc_col-sm-6 kc_column_inner kc_col-sm-6 left\"><div class=\"box-1 kc_wrapper kc-col-inner-container\">\n<div class=\"kc-elm kc-css-721391 kc-title-wrap \">\n\n\t<h2 class=\"kc_title\">Ricardo Mart\u00ednez<\/h2>\n<\/div>\n<\/div><\/div><div class=\"kc-elm kc-css-255437 kc_col-sm-6 kc_column_inner kc_col-sm-6 right\"><div class=\"box-2 kc_wrapper kc-col-inner-container\">\n<div class=\"kc-elm kc-css-482634 kc-title-wrap \">\n\n\t<h2 class=\"kc_title\">CHRONOLOGY<\/h2>\n<\/div>\n<\/div><\/div><\/div><div class=\"kc-elm kc-css-340674\" style=\"height: 50px; clear: both; width:100%;\"><\/div><div class=\"kc-elm kc-css-506834 kc_text_block text-desc\"><\/p>\n<div class=\"span6 first-module module_number_1 module_cont center_title module_text_area\">\n<div class=\"module_content\">\n<p class=\"texto1\"><strong>1918<\/strong><br \/>\u2022 Ricardo Mart\u00ednez was born on 28th October in Mexico City. He was the thirteenth of sixteen children of N\u00e9stor Mart\u00ednez and Elena de Hoyos, who both came from the North of Mexico.<br \/>\u2022 Among his siblings there were other artists: Oliverio, a talented sculptor who died young, who was a strong influence on Ricardo; Enrico and Homero were architects; Jorge became a well-known actor.<\/p>\n<p class=\"texto1\"><strong>1925<\/strong><br \/>\u2022 Alberto Correa, primary school.<\/p>\n<p class=\"texto1\"><strong>1928<\/strong><br \/>\u2022 Travels with part of his family to the USA, where they remain for several years. His mother\u2019s was one of the founding families of San Antonio in Texas and she still had relatives there. The family stayed four years. Ricardo and his siblings become fully bilingual.<\/p>\n<p class=\"texto1\"><strong>1932<\/strong><br \/>\u2022 Return to Mexico, where Ricardo finishes primary school.<\/p>\n<p class=\"texto1\"><strong>1934-1935<\/strong><br \/>\u2022 Ricardo visits his brother Oliverio at the building site of the Monument dedicated to the Mexican Revolution. There he meets the sculptor Francisco Z\u00fa\u00f1iga, with whom he shall have a long friendship.<\/p>\n<p><strong>1935<\/strong><br \/>\u2022 Orientaci\u00f3n, Secondary school.<\/p>\n<p class=\"texto1\"><strong>1938<\/strong><br \/>\u2022 Escuela Nacional Preparatoria, High School.<\/p>\n<p class=\"texto1\"><strong>1939 <\/strong><br \/>\u2022 Takes part in the foundation of a group called Amigos de la Conservaci\u00f3n de los Frescos de Jos\u00e9 Clemente Orozco at Escuela Nacional Preparatoria and in a manifesto calling for students and the authorities to protect the paintings from vandalism (at that building the Muralistic Movement began).<br \/>\u2022 Completes his first work in tempera.<br \/>\u2022 Meets and makes friends with the poet Rub\u00e9n Bonifaz Nu\u00f1o.<\/p>\n<p class=\"texto1\"><strong>1940<\/strong><br \/>\u2022 Begins law studies at the National Autonomous University of Mexico (UNAM). A few months later he decides to devote himself full time to painting. He joins the San Carlos Art Academy but, not satisfied with the teaching methods, makes up his mind to work on his own and learn through extensive reading, including Max Doerner\u2019s <em>The materials of the artist<\/em>, which revealed the secrets of the old masters.<br \/>\u2022 He sets up an atelier in the family home in Mexico City. His first works were still lifes, landscapes, common characters and portraits, all these within the nationalistic movement of the times, apart from a few attempts at surrealism.<\/p>\n<p class=\"texto1\"><strong>1942 <\/strong><br \/>\u2022 Meets Zarina Lacy at the Faculty of Philosophy and Literature of the National Autonomous University of Mexico.<br \/>\u2022 At that time he meets and makes friends for life with Al\u00ed Chumacero, Joaqu\u00edn D\u00edez-Canedo, Jorge Gonz\u00e1lez Dur\u00e1n, Jos\u00e9 Luis Mart\u00ednez, Juan Rulfo, Fernando Ben\u00edtez, Luis Cardoza y Arag\u00f3n, Octavio Paz, Juan Jos\u00e9 Arreola; and the painters Juan Soriano, Carlos M\u00e9rida, Federico Cant\u00fa, Luis Garc\u00eda Guerrero, Fernando Ramos Prida, Vicente Rojo, Jos\u00e9 Luis Cuevas and Guillermo Meza.<\/p>\n<p class=\"texto1\"><strong>1943 <\/strong><br \/>\u2022 Moves to a new atelier in the Anzures neighborhood in Mexico City. His neighbor, friend and fellow artist, Federico Cant\u00fa, teaches him engraving techniques and introduces him to the Mexican Art Gallery in Mexico City, under the management of In\u00e9s Amor.<\/p>\n<p class=\"texto1\"><strong>1948<\/strong><br \/>\u2022 Visiting lecturer in painting at the Fine Arts Centre School at Colorado Springs and San Diego, CA. Meets and makes friends with French artist Jean Charlot, director of the school.<br \/>\u2022 While in the Fine Arts Center, designed the stage design and costumes for the ballet <em>Xochipilli<\/em> of the choreographer Hanya Holm.<\/p>\n<p class=\"texto1\"><strong>1949<\/strong><br \/>\u2022 Marries Zarina Lacy.<\/p>\n<p class=\"texto1\"><strong>1952<\/strong><br \/>\u2022 He settles his home at Etna Street, South of Mexico City, and begins to build his studio. He will live and work there for the rest of his life.<\/p>\n<p class=\"texto1\"><strong>1953 <\/strong><br \/>\u2022 Tutors Lucinda Urrusti.<\/p>\n<p class=\"texto1\"><strong>1954<\/strong><br \/>\u2022 Starts tutoring Susan Sollins, current Executive Producer and Curator of the Art 21 foundation in New York City, which supports young artists.<\/p>\n<p class=\"texto1\"><strong>1955<\/strong><br \/>\u2022 Tutors Gerardo L\u00f3pez Bonilla, a seminarian.<\/p>\n<p class=\"texto1\"><strong>1958<\/strong><br \/>\u2022 Meets Carl Lunde, director of The Contemporaries Gallery, in New York City.<\/p>\n<p class=\"texto1\"><strong>1959<\/strong><br \/>\u2022 Makes friends with Dutch designer Leo Lionni.<\/p>\n<p class=\"texto1\"><strong>1968<\/strong><br \/>\u2022 Meets the Russian poet Evgueny Evtushenko. He came to Mexico City for a lecture of his poems. The poet asked to visit Ricardo Mart\u00ednez at his studio.<\/p>\n<p class=\"texto1\"><strong>1969<\/strong><br \/>\u2022 Travels to Europe for the first time and visits England, Holland, Belgium, France, Italy and Spain, which widened his experience of European painting.<\/p>\n<p class=\"texto1\"><strong>1972<\/strong><br \/>\u2022 Moves to a new studio at the bottom of his garden, on Etna Street.<\/p>\n<p class=\"texto1\"><strong>2009<\/strong><br \/>\u2022 Died on January 11th.<\/p>\n<\/div>\n<\/div>\n<p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/section><section id=\"about\" class=\"kc-elm kc-css-475240 kc_row kenty_section_1\"><div class=\"kc-row-container  kc-container\"><div class=\"kc-wrap-columns\"><div class=\"kc-elm kc-css-34385 kc_col-sm-12 kc_column kc_col-sm-12\"><div class=\"kc-col-container\"><div class=\"kc-elm kc-css-122836 kc_row kc_row_inner box-wrap\"><div class=\"box\"><div class=\"kc-elm kc-css-903557 kc_col-sm-12 kc_column_inner kc_col-sm-12\"><div class=\"kc_wrapper kc-col-inner-container\"><div class=\"kc-elm kc-css-682637 kc_row kc_row_inner box-wrap\"><div class=\"kc-elm kc-css-967451 kc_col-sm-6 kc_column_inner kc_col-sm-6 left\"><div class=\"box-1 kc_wrapper kc-col-inner-container\">\n<div class=\"kc-elm kc-css-905908 kc-title-wrap \">\n\n\t<h2 class=\"kc_title\">Solo<br>exhibitions<\/h2>\n<\/div>\n<\/div><\/div><div class=\"kc-elm kc-css-879696 kc_col-sm-6 kc_column_inner kc_col-sm-6 right\"><div class=\"box-2 kc_wrapper kc-col-inner-container\"><\/div><\/div><\/div><div class=\"kc-elm kc-css-841791\" style=\"height: 50px; clear: both; width:100%;\"><\/div><div class=\"kc-elm kc-css-939017 kc_text_block text-desc\"><\/p>\n<div class=\"span6 first-module module_number_1 module_cont center_title module_text_area\">\n<div class=\"module_content\">\n<p class=\"texto1\"><strong class=\"headInModule\">1944<\/strong><br \/>\u2022 &#8220;\u00d3leos, temples y dibujos\", Galer\u00eda de Arte Mexicano, Mexico City.<\/p>\n<p class=\"texto1\"><strong>1945<\/strong><br \/>\u2022 &#8220;Ricardo Mart\u00ednez\", Galer\u00eda de Arte Mexicano, Mexico City.<\/p>\n<p class=\"texto1\"><strong>1947<\/strong><br \/>\u2022 &#8220;10 \u00f3leos recientes\", Galer\u00eda de Arte Mexicano, Mexico City.<\/p>\n<p class=\"texto1\"><strong>1948-1949<\/strong><br \/>\u2022 Fine Arte Center, Colorado Springs, CO.<\/p>\n<p class=\"texto1\"><strong>1950<\/strong><br \/>\u2022 &#8220;Ricardo Mart\u00ednez\", Galer\u00eda de Arte Mexicano, Mexico City.<\/p>\n<p class=\"texto1\"><strong>1951<\/strong><br \/>\u2022 &#8220;\u00d3leos y sanguinas\", Galer\u00eda de Arte Mexicano, Mexico City.<\/p>\n<p class=\"texto1\"><strong>1952<\/strong><br \/>\u2022 &#8220;13 \u00f3leos recientes\", Galer\u00eda de Arte Mexicano, Mexico City.<\/p>\n<p class=\"texto1\"><strong>1954<\/strong><br \/>\u2022 &#8220;\u00d3leos de Ricardo Mart\u00ednez\", Galer\u00eda de Arte Mexicano, Mexico City.<\/p>\n<p class=\"texto1\"><strong>1955<\/strong><br \/>\u2022 &#8220;Ricardo Mart\u00ednez\", Galer\u00eda de Arte Mexicano, Mexico City.<\/p>\n<p class=\"texto1\"><strong>1956<\/strong><br \/>\u2022 &#8220;15 \u00f3leos\". His work begins to show a monumental style with pre-Hispanic influence, Galer\u00eda de Arte Mexicano, Mexico City.<\/p>\n<p class=\"texto1\"><strong>1958<\/strong><br \/>\u2022 &#8220;\u00d3leos\". The paintings in this exhibition display a new style and a personal form of expression that he continues to develop for the rest of his life, Galer\u00eda de Arte Mexicano, Mexico City.<\/p>\n<p class=\"texto1\"><strong>1959<\/strong><br \/>\u2022 &#8220;Ricardo Martinez\", The Contemporaries, New York City.<\/p>\n<p class=\"texto1\"><strong>1960<\/strong><br \/>\u2022 &#8220;Martinez. Exhibition of Recent Paintings\", The Contemporaries, New York City.<\/p>\n<p class=\"texto1\"><strong>1961<\/strong><br \/>\u2022 &#8220;Ricardo Martinez, an Exhibition of Recent Paintings\", The Contemporaries, New York City.<\/p>\n<p class=\"texto1\"><strong>1964<\/strong><br \/>\u2022 &#8220;Paintings\" &#8211; Last solo exhibition at the Galer\u00eda de Arte Mexicano. He shall not work with dealers in Mexico again but has direct contact with prospective clients, whom he invites to his atelier.<br \/>\u2022 &#8220;Recent Paintings\", The Contemporaries, New York City.<\/p>\n<p class=\"texto1\"><strong>1966<\/strong><br \/>\u2022 &#8220;Ricardo Martinez. Recent Paintings\", Phoenix Art Museum, Phoenix, AZ.<\/p>\n<p class=\"texto1\"><strong>1969<\/strong><br \/>\u2022 \u201cPinturas de Ricardo Mart\u00ednez\u201d, Museo de Arte Moderno, INBA, Mexico City.<\/p>\n<p class=\"texto1\"><strong>1974<\/strong><br \/>\u2022 &#8220;Ricardo Mart\u00ednez. 40 pinturas. Expansi\u00f3n r\u00edtmica de los vol\u00famenes\", Museo de Arte Moderno, INBA, Mexico City.<\/p>\n<p class=\"texto1\"><strong>1976<\/strong><br \/>\u2022 The Sindin Gallery, New York City.<\/p>\n<p class=\"texto1\"><strong>1984<\/strong><br \/>\u2022 &#8220;Ricardo Mart\u00ednez. Obra reciente, 1975-1984\", Museo del Palacio de Bellas Artes, INBA, Mexico City.<\/p>\n<p class=\"texto1\"><strong>1994<\/strong><br \/>\u2022 &#8220;Ricardo Mart\u00ednez. Obra reciente, 1975-1984\", Museo del Palacio de Bellas Artes, INBA, Mexico City.<\/p>\n<p class=\"texto1\"><strong>2000<\/strong><br \/>\u2022 &#8220;Ricardo Mart\u00ednez. Energ\u00eda y monumentalidad\", Club de Banqueros de Mexico, Mexico City.<\/p>\n<p class=\"texto1\"><span class=\"texto1\"><strong>2011<\/strong><br \/>\u2022 &#8220;Ricardo Mart\u00ednez\", Museo de la Ciudad de M\u00e9xico, Mexico City.<br \/><\/span><\/p>\n<p class=\"texto1\"><strong>2018<\/strong><br \/>\u2022 &#8220;Ricardo Mart\u00ednez y la figura humana\", Museo Casa Montejo, M\u00e9rida, Yucat\u00e1n.<br \/>\u2022 &#8220;Ricardo Mart\u00ednez. Desde el interior\", Museo del Palacio de Bellas Artes, Mexico City.<\/p>\n<p class=\"texto1\"><strong>2019<\/strong><br \/>\u2022 &#8220;Ricardo Mart\u00ednez y la figura humana\", Museo Casa del Mayorazgo de la Canal, San Miguel de Allende, Guanajuato; Palacio del Conde del Valle de S\u00fachil, Durango.<br \/>\u2022 &#8220;Ricardo Mart\u00ednez. Desde el interior\", Museo de Aguascalientes, Aguascalientes.<\/p>\n<p><strong>2022<\/strong><br \/>\u2022 &#8220;Ricardo Mart\u00ednez. Un mexicanismo de contracorriente\", Museo de las Artes de Guadalajara, Universidad de Guadalajara, Guadalajara, Jalisco.<\/p>\n<p class=\"texto1\"><span class=\"texto1\">\u00a0<\/span><\/p>\n<p class=\"p1\" style=\"margin-top: 0px; margin-bottom: 0px; font-variant-numeric: normal; font-variant-east-asian: normal; font-stretch: normal; font-size: 13px; font-family: &#039;Helvetica Neue&#039;; color: #000000;\">\n<\/div>\n<\/div>\n<p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/section><section class=\"kc-elm kc-css-449660 kc_row kenty_section_1\"><div class=\"kc-row-container  kc-container\"><div class=\"kc-wrap-columns\"><div class=\"kc-elm kc-css-39990 kc_col-sm-12 kc_column kc_col-sm-12\"><div class=\"kc-col-container\"><div class=\"kc-elm kc-css-406504 kc_row kc_row_inner box-wrap\"><div class=\"box\"><div class=\"kc-elm kc-css-788752 kc_col-sm-12 kc_column_inner kc_col-sm-12\"><div class=\"kc_wrapper kc-col-inner-container\"><div class=\"kc-elm kc-css-789708 kc_row kc_row_inner box-wrap\"><div class=\"kc-elm kc-css-238241 kc_col-sm-6 kc_column_inner kc_col-sm-6 left\"><div class=\"box-1 kc_wrapper kc-col-inner-container\">\n<div class=\"kc-elm kc-css-861786 kc-title-wrap \">\n\n\t<h2 class=\"kc_title\">Exhibitions<\/h2>\n<\/div>\n<\/div><\/div><div class=\"kc-elm kc-css-510601 kc_col-sm-6 kc_column_inner kc_col-sm-6 right\"><div class=\"box-2 kc_wrapper kc-col-inner-container\"><\/div><\/div><\/div><div class=\"kc-elm kc-css-177272\" style=\"height: 50px; clear: both; width:100%;\"><\/div><div class=\"kc-elm kc-css-374907 kc_text_block text-desc\"><\/p>\n<div class=\"span6 first-module module_number_1 module_cont center_title module_text_area\">\n<p><strong>1942<\/strong><br \/>\u2022 Arte mexicano contempor\u00e1neo\", organized by Maria As\u00fansolo, in the Galer\u00eda de Arte Mar\u00eda As\u00fansolo, Guadalajara, Mexico.<br \/>\u2022 &#8220;Arte mexicano contempor\u00e1neo\", University Club of Mexico, Mexico City.<\/p>\n<div class=\"module_content\">\n<p><strong>1943<\/strong><br \/>\u2022 &#8220;Mexican Art Today\", Philadelphia Museum of Art, PA.<br \/>\u2022 &#8220;The Twenty-Second International Exhibition of Watercolors\", The Art Institute of Chicago, IL.<\/p>\n<p><strong>1944<\/strong><br \/>\u2022 \u201cThe Fifty-fifth Annual American Exhibition of Watercolors and Drawing\u201d, The Art Institute of Chicago, IL.<br \/>\u2022 \u201cModern Mexican Artists\u201d, The Whyte Gallery, Washington.<\/p>\n<p><strong>1945<\/strong><br \/>\u2022 \u201cPintura mexicana moderna, 1900-1945\u201d, Guanajuato, Mexico.<br \/>\u2022 \u201cMexican Painting\u201d, Knoedler Galleries, New York City.<br \/>\u2022 \u201cSal\u00f3n de Pintura 1945\u201d, Galer\u00eda de Arte Mexicano.<\/p>\n<p><strong>1946<\/strong><br \/>\u2022 \u201cPinturas, esculturas, grabados y dibujos\u201d, Museo del Palacio de Bellas Artes, Mexico City.<br \/>\u2022 \u201cFrom Market Place to Museum, Exhibition of Mexican Art\u201d, Grand Central Art Galleries, New York City.<br \/>\u2022 \u201cQuinta exposici\u00f3n Nacional de Floricultura. IV Sal\u00f3n de las Flores\u201d, Direcci\u00f3n General de Agricultura, Mexico.<\/p>\n<p><strong>1947<\/strong><br \/>\u2022 \u201cPaintings and Drawings of Latin America\u201d, Knoedler Galleries, New York City.<\/p>\n<p><strong>1948<\/strong><br \/>\u2022 Academy, Guatemala.<br \/>\u2022 \u201cMexican painting\u201d, Industrial Fair, Toronto.<\/p>\n<p><strong>1950<\/strong><br \/>\u2022 &#8220;La Fiesta de la Flor y la exposici\u00f3n de pinturas alusivas\", Galer\u00edas Exc\u00e9lsior, Mexico City.<br \/>\u2022 &#8220;Exposici\u00f3n de grabados y pintura religiosa moderna mexicana\", Clardecor, Mexico City.<\/p>\n<p><strong>1951<\/strong><br \/>\u2022 Opening exhibition at the Galer\u00eda de Arte Contempor\u00e1neo, Mexico City.<\/p>\n<p><strong>1952<\/strong><br \/>\u2022 \u201cThe 1952 Pittsburgh International Exhibition of Contemporary Painting\u201d, Department of Fine Arts, Carnegie Institute, Washington, D.C.\u00a0<br \/>\u2022 \u201cMasterworks of Mexican Art\u201d, Mus\u00e9e National d&#8217;Art Moderne, Paris, France.<br \/>\u2022 GalleryLiljevalchs Konsthall, Stockholm, Sweden.<\/p>\n<p><strong>1953<\/strong><br \/>\u2022 \u201cCollection Mr. &amp; Mrs. Robert D. Straus. Paintings, Prints, Drawings, Sculpture\u201d, Fort Worth Art Centre, Fort Worth, TX.<br \/>\u2022 The Tate Gallery, London.<\/p>\n<p><strong>1954<\/strong><br \/>\u2022 &#8220;Arte mexicano\", Edificio &#8220;La Cr\u00f3nica\", Lima, Per\u00fa.<\/p>\n<p><strong>1955<\/strong><br \/>\u2022 &#8220;The Third International Art Exhibition\", Museum of Fine Arts, Houston, TX.<\/p>\n<p><strong>1956<\/strong><br \/>\u2022 &#8220;Gulf-Caribbean Art Exhibition\", Museum of Fine Arts, Houston, TX.<\/p>\n<p><strong>1957<\/strong><br \/>\u2022 &#8220;The Fourth International Art Exhibition\", The Mainichi Newspaper, Tokio, Japan.<\/p>\n<p><strong>1958<\/strong><br \/>\u2022 &#8220;Pintura mexicana contempor\u00e1nea\", XXIX Biennale in Venice.<br \/>\u2022 \u201cTwentieth Century Mexican Painting\u201d, Marion Koogler McNay Art Institute, San Antonio, TX.<br \/>\u2022 \u201cI Bienal Interamericana de Pintura y Grabado\", Museo Nacional de Artes Pl\u00e1sticas, INBA, Mexico City.<br \/>\u2022 \u201cArt Mexicain\u201d, France, different venues.<br \/>\u2022 \u201cMexican Art Pre-Columbian to Modern Times\u201d, University of Michigan, Ann Arbor, MI.<\/p>\n<p><strong>1959<\/strong><br \/>\u2022 \u201cExhibition of Contemporary Mexican Art\u201d, Mexican Art Gallery, San Antonio, TX.<br \/>\u2022 \u201cMedio siglo de la Escuela Mexicana de Pintura (1910-1969)\", Galer\u00eda del Centro Deportivo Israelita, Mexico City. <br \/>\u2022 \u201cArte mexicano de la \u00e9poca prehisp\u00e1nica a nuestros d\u00edas\", Galer\u00eda Chapultepec, INBA, Mexico City.<br \/>\u2022 \u201cTres siglos de dibujo en M\u00e9xico 1700-1959\u201d, Sal\u00f3n de la Pl\u00e1stica Mexicana, INBA, Mexico City.<br \/>\u2022 \u201cThe United States Collects Pan-American Art\u201d, Art Institute of Chicago, IL.<br \/>\u2022 \u201cEl arte de la vida\u201d, Instituto Polit\u00e9cnico Nacional, Mexico City.<br \/>\u2022 The Koninklijk Instituut voor de Tropen, Amsterdam, Holland.<\/p>\n<p><strong>1960<\/strong><br \/>\u2022 \u201cObras maestras del arte mexicano\u201d, London, Paris, Copenhagen, Moscow, Leningrad, Warsaw, Tokyo, Rome, Los Angeles (1960-1963). Organized by the Mexican government.<\/p>\n<p><strong>1961<\/strong><br \/>\u2022 &#8220;Latin American, New Departures\", Institute of Contemporary Art Exhibition, Boston, MA.<\/p>\n<p><strong>1962<\/strong><br \/>\u2022 &#8220;Pintura mexicana del siglo XX\", Galer\u00eda del Centenario, Plaza del Pari\u00e1n, Puebla.<br \/>\u2022 &#8220;Exposici\u00f3n de pintura mexicana\", Campeche.<br \/>\u2022 &#8220;Pintura contempor\u00e1nea de M\u00e9xico\", Museo Nacional de Bellas Artes, Buenos Aires, Argentina.<br \/>\u2022 &#8220;Pintura y grabado de M\u00e9xico\", Palacio Municipal de Matamoros, Tamaulipas.<\/p>\n<p><strong>1963<\/strong><br \/>\u2022 VII Bienal de Sao Paulo, Sao Paulo, Brasil.<br \/>\u2022 &#8220;La floresta en la pintura nacional, cincuenta paisajes mexicanos\", Museo Nacional de Arte Moderno, INBA, Mexico City.<\/p>\n<p><strong>1964<\/strong><br \/>\u2022 &#8220;Mother and Child in Modern Art\", American Federation of Art (1964-1965), Estados Unidos.<br \/>\u2022 &#8220;A Decade of Contemporary Mexican Artists (1964-1965)\", Phoenix Art Museum, Phoenix, AZ.<br \/>\u2022 &#8220;El dibujo mexicano de 1847 a nuestros d\u00edas\", INBA, Mexico.<br \/>\u2022 &#8220;Conmemoraci\u00f3n de los 183 a\u00f1os de vida de la Academia de San Carlos\", Academia de San Carlos, UNAM, Mexico City.<\/p>\n<p><strong>1965<\/strong><br \/>\u2022 &#8220;Nuevas adquisiciones en el Museo de la Universidad de Puerto Rico\", Museo de Arte Ponce, Puerto Rico.<br \/>\u2022 \u201cMexico, Past and Present\u201d, Birmingham Museum of Art, Birmingham, AL.<br \/>\u2022 \u201cLatin American Art from Independence to Our Days\u201d (1965-1967), University of Yale, New Haven, CT.<br \/>\u2022 \u201cThe Emergent Decade, An Exhibition of Contemporary Latin American Painting\u201d, Cornell University, Ithaca, NY. &amp; The Solomon R. Guggenheim Museum, New York City.<\/p>\n<p><strong>1967<\/strong><br \/>\u2022 \u201cSal\u00f3n de Oto\u00f1o\u201d, Medical Association of Jalisco, Museum of Modern Art, Guadalajara, Mexico.<br \/>\u2022 \u201cCento Anni di Pintura Messicana 1867-1967\u201d, Instituto Italo-Latinoamericano, Rome, Italy.<\/p>\n<p><strong>1968<\/strong><br \/>\u2022 &#8220;Programa Cultural de la XIX Olimpiada\", Galer\u00eda de Arte Mexicano, Mexico City.<\/p>\n<p><strong>1975<\/strong><br \/>\u2022 &#8220;Artistas Contempor\u00e1neos Latinoamericanos\", Galer\u00eda Alexis, San Salvador, El Salvador.<br \/>\u2022 &#8220;La mujer como creadora y tema del arte\", Museo de Arte Moderno, INBA, Mexico City.<\/p>\n<p><strong>1976<\/strong><br \/>\u2022 &#8220;Creadores latinoamericanos contempor\u00e1neos 1950-1976. Pinturas y Relieves\", Museo de Arte Moderno, INBA, Mexico City.<br \/>\u2022 The Z\u00f3calo-Pino Su\u00e1rez metro junction, Mexico City.<br \/>\u2022 \u201cObra temprana de los grandes maestros\", Galer\u00eda Pintura Joven, Mexico City.<\/p>\n<p><strong>1977<\/strong><br \/>\u2022 The Rubicon Gallery, Los Altos, CA.<br \/>\u2022 \u201cHomenaje a la pintura latinoamericana\u201d, Sala Nacional de Exposiciones Parque Cuscatl\u00e1n, San Salvador, El Salvador.<\/p>\n<p class=\"texto1\"><strong>1978<\/strong><br \/>\u2022 \u201cThe Latin American Art Exhibition\u201d, De Armas Gallery, FL.<\/p>\n<p class=\"texto1\"><strong>1980<\/strong><br \/>\u2022 \u201cIm\u00e1genes de M\u00e9xico\u201d, Palacio de Iturbide, Mexico City.<\/p>\n<p class=\"texto1\"><strong>1982<\/strong><br \/>\u2022 \u201cAcervo do MAC USP\u201d, Museu de Arte Contempor\u00e2nea Ibirapuera, Universidad de Sao Paulo, Brasil.<\/p>\n<p class=\"texto1\"><strong>1985<\/strong><br \/>\u2022 &#8220;Mexiko 1900-Talkonst\", Liljevakchs Konsthall y M\u00e4lmo Konsthall, Estocolmo and M\u00e4lmo, Sweden.<\/p>\n<p class=\"texto1\"><strong>1987<\/strong><br \/>\u2022 \u201cAs Bienais no Acervo do MAC\u201d, Museu de Arte Contempor\u00e2nea Ibirapuera, Universidad de Sao Paulo, Brasil.<\/p>\n<p class=\"texto1\"><strong>1989<\/strong><br \/>\u2022 &#8220;Colecci\u00f3n Pago en Especie\" (Mexican artists may pay their taxes with their own works, sponsored by the Mexican Ministry of Finance and Public Credit), Secretar\u00eda de Salud, Mexico City.<\/p>\n<p class=\"texto1\"><strong>1990<\/strong><br \/>\u2022 &#8220;II Muestra de Pintura y Escultura Latinoamericana\", Galer\u00eda Espacio, San Salvador, El Salvador.<br \/>\u2022 &#8220;Mexican Masters\", Brewster Gallery, New York City.<\/p>\n<p class=\"texto1\"><strong>1992<\/strong><br \/>\u2022 \u201cMexican Masters of the Post-muralist Period\u201d, Nevada Museum of Art, E.L. Wiegand Gallery, Belmont, CA.<br \/>\u2022 \u201cContrasts\". Payment in Kind Collection\u201d, Ministry of Finance and Public Credit, Cultural Centre El Nigromante, INBA, San Miguel Allende. Gallery in INEGI, Aguascalientes, Mexico.<\/p>\n<p class=\"texto1\"><strong>1993<\/strong><br \/>\u2022 \u201cTransici\u00f3n y ruptura. 24 artistas mexicanos\", EUROPALIA 1993, The Nortman Gallery, Maastricht, Netherlands.<br \/>\u2022 \u201cUna visi\u00f3n del arte contempor\u00e1neo\", Payment in Kind Collection, Ministry of Finance and Public Credit, Mexico City.<br \/>\u2022 \u201c100 pintores mexicanos\u201d, Museo de Arte Contempor\u00e1neo, Monterrey, M\u00e9xico.<br \/>\u2022 \u201cArte Latino-americana em Museus de S\u00e3o Paulo\u201d, Memorial da Am\u00e9rica Latina-Galeria do Memorial, Sao Paulo, Brasil.<\/p>\n<p class=\"texto1\"><strong>1994<\/strong><br \/>\u2022 &#8220;Encuentros\u201d, Casa de la Cultura Jesus Reyes Heroles, Mexico City.<br \/>\u2022 \u201cEl hombre y su entorno. Presencias en la pl\u00e1stica mexicana del siglo XX\u201d, Hospicio Caba\u00f1as, Guadalajara, Mexico.\u00a0<\/p>\n<p><span class=\"texto1\"><strong>1997<\/strong><br \/>\u2022 &#8220;Invenciones: obra en papel\", Galer\u00eda A.G. Arte Moderno y Contempor\u00e1neo, Mexico City.<\/span><\/p>\n<p><strong>2001<\/strong><br \/>\u2022 &#8220;Soleils mexicains\", Petit Palais, Paris, France.<br \/>\u2022 &#8220;34 artistes mexicains, Quand les imports deviennent un regal pour l&#8217;espirit\", Le Centre Culturel de l&#8217;Ambassade du Mexique, Paris, France.<br \/>\u2022 &#8220;Colectiva de invierno\", Galer\u00eda Lopez Quiroga, Mexico City.<\/p>\n<p><span class=\"texto1\"><strong>2006<\/strong><br \/>\u2022 &#8220;Pintura mexicana de la posguerra al fin de siglo\", Friends of Shangai Art Museum, Shangai, China.<\/span><\/p>\n<p><span class=\"texto1\"><strong>2008<\/strong><br \/>\u2022 &#8220;La colecci\u00f3n: el peso del realismo\", Museo de Arte Moderno, INBA, Mexico City.<br \/><\/span><\/p>\n<p><span class=\"texto1\"><strong>2010<\/strong><br \/>\u2022 &#8220;El maguey. S\u00edmbolo de identidad nacional\", Museo Casa Estudio Diego Rivera y Frida Kahlo, Mexico City.<br \/><\/span><\/p>\n<p><span class=\"texto1\"><strong>2013<\/strong><br \/>\u2022 &#8220;L&#8217;art mexicain 1920-1960. Eloge du corps\", La Bellevue, Biarritz, France.<\/span><\/p>\n<p><span class=\"texto1\"><strong>2015<\/strong><br \/>\u2022 &#8220;La otra fiesta de las balas. Mart\u00edn Luis Guzm\u00e1n\", Museo de Arte Moderno, INBA, Mexico City.<br \/><\/span><\/p>\n<p><span class=\"texto1\"><strong>2016<\/strong><br \/>\u2022 <\/span>\u201cErotismos. La vida \u00edntima de los objetos\", MODO, Mexico City.<\/p>\n<p><span class=\"texto1\"><strong>2017<\/strong><br \/>\u2022<\/span><span class=\"texto1\"> \u201cMonstruosismos\", Museo de Arte Moderno, INBA, Mexico City.<br \/>\u2022 \u201c<\/span>\u00a1Que se abra esa puerta!\", Museo del Estanquillo, Mexico City.<\/p>\n<p><span class=\"texto1\"><strong>2020<\/strong><br \/>\u2022<\/span><span class=\"texto1\"> &#8220;M\u00e9xico y los mexicanos\", Museo Kaluz, Mexico City.<\/span><\/p>\n<p><span class=\"texto1\"><strong>2021<\/strong><br \/>\u2022<\/span><span class=\"texto1\"> &#8220;F\u00e1bulas fant\u00e1sticas. Colecci\u00f3n del Museo de Arte Moderno\", Casa de M\u00e9xico en Espa\u00f1a, Madrid, Spain.<\/span><\/p>\n<p><span class=\"texto1\"><strong>2023<\/strong><br \/>\u2022 &#8220;F\u00e1bulas fant\u00e1sticas\", Museo de Arte Moderno, INBA, Mexico City.<br \/><\/span><span class=\"texto1\">\u2022 &#8220;Casi oro, casi \u00e1mbar, casi luz. Bienvenida del paisaje mexicano al paisaje japon\u00e9s\", Museo Kaluz, Mexico City.<\/span><\/p>\n<\/div>\n<\/div>\n<p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/section><section id=\"about\" class=\"kc-elm kc-css-194296 kc_row kenty_section_1\"><div class=\"kc-row-container  kc-container\"><div class=\"kc-wrap-columns\"><div class=\"kc-elm kc-css-666640 kc_col-sm-12 kc_column kc_col-sm-12\"><div class=\"kc-col-container\"><div class=\"kc-elm kc-css-240265 kc_row kc_row_inner box-wrap\"><div class=\"box\"><div class=\"kc-elm kc-css-284775 kc_col-sm-12 kc_column_inner kc_col-sm-12\"><div class=\"kc_wrapper kc-col-inner-container\"><div class=\"kc-elm kc-css-801509 kc_row kc_row_inner box-wrap\"><div class=\"kc-elm kc-css-692174 kc_col-sm-6 kc_column_inner kc_col-sm-6 left\"><div class=\"box-1 kc_wrapper kc-col-inner-container\">\n<div class=\"kc-elm kc-css-338608 kc-title-wrap \">\n\n\t<h2 class=\"kc_title\">Publications<\/h2>\n<\/div>\n<\/div><\/div><div class=\"kc-elm kc-css-985582 kc_col-sm-6 kc_column_inner kc_col-sm-6 right\"><div class=\"box-2 kc_wrapper kc-col-inner-container\"><\/div><\/div><\/div><div class=\"kc-elm kc-css-181863\" style=\"height: 50px; clear: both; width:100%;\"><\/div><div class=\"kc-elm kc-css-270512 kc_text_block text-desc\"><\/p>\n<div class=\"span6 first-module module_number_1 module_cont center_title module_text_area\">\n<div class=\"module_content\">\n<p><span class=\"texto1\"><strong>1965<\/strong><\/span><br \/>\u2022 <em>Ricardo Mart\u00ednez <\/em>by Rub\u00e9n Bonifaz Nu\u00f1o, Universidad Nacional Aut\u00f3noma de M\u00e9xico, Mexico.<\/p>\n<p><span class=\"texto1\"><strong>1974<\/strong><\/span><br \/>\u2022\u00a0The book <em>Pintura Contempor\u00e1nea de M\u00e9xico<\/em> by Luis Cardoza y Arag\u00f3n is published by Ediciones ERA, Mexico, with a chapter on Ricardo Mart\u00ednez.<\/p>\n<p><span class=\"texto1\"><strong>1980<\/strong><\/span><br \/>\u2022\u00a0<em>Ricardo Mart\u00ednez<\/em> by Rub\u00e9n Bonifaz Nu\u00f1o published by Universidad Nacional Aut\u00f3noma de M\u00e9xico, Mexico.<\/p>\n<p><span class=\"texto1\"><strong>1981<\/strong><\/span><br \/>\u2022 Joaqu\u00edn Mortiz, Mexico, publishes the book\u00a0<em>Ricardo Mart\u00ednez<\/em>, with an introduction by Luis Cardoza y Arag\u00f3n.<\/p>\n<p><span class=\"texto1\"><strong>1994<\/strong><\/span><br \/>\u2022\u00a0Publication of the book-catalogue <em>Ricardo Mart\u00ednez<\/em> by Fondo Editorial Panorama, Mexico.<\/p>\n<p><strong>2001<\/strong><br \/>\u2022 <em>Ricardo Mart\u00ednez <\/em>by\u00a0Miguel \u00c1ngel Mu\u00f1oz, C\u00edrculo de Lectura, Conaculta, Mexico.<\/p>\n<p><strong>2004<\/strong><br \/>\u2022 <em>Ricardo Mart\u00ednez<\/em> is published by Colecci\u00f3n JAPS, Mexico.<\/p>\n<\/div>\n<p><span class=\"texto1\"><strong>2012<\/strong><\/span><br \/>\u2022\u00a0<em>Ricardo Mart\u00ednez <\/em>by\u00a0Museo de la Ciudad de M\u00e9xico, Mexico.<\/p>\n<p><strong>20<em>18<\/em><\/strong><br \/>\u2022\u00a0<em>Ricardo Mart\u00ednez, a 100 a\u00f1os de su nacimiento <\/em>by\u00a0Fundaci\u00f3n Ricardo Mart\u00ednez de Hoyos, A.C., Mexico.<br \/>\u2022\u00a0<em>Ricardo Mart\u00ednez. Desde el interior <\/em>by\u00a0Secretar\u00eda de Cultura y Fundaci\u00f3n Mary Street Jenkins, M\u00e9xico.<\/p>\n<\/div>\n<p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/section><section id=\"about\" class=\"kc-elm kc-css-435995 kc_row kenty_section_1\"><div class=\"kc-row-container  kc-container\"><div class=\"kc-wrap-columns\"><div class=\"kc-elm kc-css-112463 kc_col-sm-12 kc_column kc_col-sm-12\"><div class=\"kc-col-container\"><div class=\"kc-elm kc-css-344821 kc_row kc_row_inner box-wrap\"><div class=\"box\"><div class=\"kc-elm kc-css-273848 kc_col-sm-12 kc_column_inner kc_col-sm-12\"><div class=\"kc_wrapper kc-col-inner-container\"><div class=\"kc-elm kc-css-685215 kc_row kc_row_inner box-wrap\"><div class=\"kc-elm kc-css-267981 kc_col-sm-6 kc_column_inner kc_col-sm-6 left\"><div class=\"box-1 kc_wrapper kc-col-inner-container\">\n<div class=\"kc-elm kc-css-703209 kc-title-wrap \">\n\n\t<h2 class=\"kc_title\">Illustrations in books<\/h2>\n<\/div>\n<\/div><\/div><div class=\"kc-elm kc-css-621804 kc_col-sm-6 kc_column_inner kc_col-sm-6 right\"><div class=\"box-2 kc_wrapper kc-col-inner-container\">\n<div class=\"kc-elm kc-css-99413 kc-title-wrap \">\n\n\t<h3 class=\"kc_title\"><\/h3>\n<\/div>\n<\/div><\/div><\/div><div class=\"kc-elm kc-css-388643\" style=\"height: 50px; clear: both; width:100%;\"><\/div><div class=\"kc-elm kc-css-810914 kc_text_block text-desc\"><\/p>\n<div class=\"span6 first-module module_number_1 module_cont center_title module_text_area\">\n<div class=\"module_content\">\n<p><strong>1945<\/strong><br \/>\u2022 <em>Epigramas americanos <\/em>by Enrique D\u00edez-Canedo, published by his son in Joaqu\u00edn Mortiz, Mexico.<\/p>\n<p><strong>1945<\/strong><br \/>\u2022 <em>Segundo despertar y otros poemas<\/em> by Enrique Gonz\u00e1lez Mart\u00ednez, Nueva Floresta, Mexico,<\/p>\n<p><strong>1946<\/strong><br \/>\u2022\u00a0<em>Sue\u00f1o y poes\u00eda \/ Sleep and poetry<\/em> by John Keats, Espiga, Mexico.<\/p>\n<p><strong>1947<\/strong><br \/>\u2022\u00a0<em>Nueva Revista de Filolog\u00eda Hisp\u00e1nica<\/em>, Amado Alonso (director), El Colegio de M\u00e9xico, M\u00e9xico, Year 1, Number 1, 1947. The illustration on the cover is being published currently.<\/p>\n<p><strong>1949<\/strong><br \/>\u2022\u00a0<em>Junta de sombras<\/em> by Alfonso Reyes, Fondo de Cultura Econ\u00f3mica, Mexico.<\/p>\n<p><strong>1949<\/strong><br \/>\u2022 <em>Libertad bajo palabra<\/em> by Octavio Paz, Tezontle, Mexico.<\/p>\n<p><strong>1950<\/strong><br \/>\u2022 <em>Cuentos<\/em> by Juan Jos\u00e9 Arreola, Los Presentes, Mexico.<\/p>\n<p><strong>1950<\/strong><br \/>\u2022\u00a0<em>Diario hist\u00f3rico de los viages de mar y tierra hechos al norte de la California<\/em> by Miguel Constans\u00f3, Edici\u00f3n Chimalistac, Mexico.<\/p>\n<p><strong>1950<\/strong><br \/>\u2022 <em>El retorno<\/em> by Ernesto Mej\u00eda S\u00e1nchez, Los Presentes, Mexico.<\/p>\n<p><strong>1950<\/strong><br \/>\u2022 <em>Sonetos<\/em> by Carlos Pellicer, Los Presentes, Mexico.<\/p>\n<p><strong>1951<\/strong><br \/>\u2022 <em>Po\u00e9tica<\/em> by Rub\u00e9n Bonifaz Nu\u00f1o, Los Presentes, Mexico.<\/p>\n<p><strong>1951<\/strong><br \/>\u2022 <em>A Enrique Gonz\u00e1lez Mart\u00ednez en sus ochenta a\u00f1os<\/em>, published by Joaqu\u00edn Diez-Canedo and Al\u00ed Chumacero. Hommage, M\u00e9xico.<\/p>\n<p><strong>1952<\/strong><br \/>\u2022\u00a0<em>El nuevo narciso <\/em>by Enrique Gonz\u00e1lez Mart\u00ednez, Letras Mexicanas, 3, Fondo de Cultura Econ\u00f3mica, Mexico.<\/p>\n<p><strong>1951<\/strong><br \/>\u2022 <em>Muerte sin fin<\/em> by Jos\u00e9 Gorostiza, Fondo de Cultura Econ\u00f3mica, Mexico.<\/p>\n<p><strong>1953<\/strong><br \/>\u2022 <em>El hermano menor <\/em>by Jaime Garc\u00eda Terr\u00e9s, Los Presentes, Mexico.<\/p>\n<p><strong>1953<\/strong><br \/>\u2022 <em>La jornada hecha. Poes\u00eda: 1934-1952<\/em> by Francisco Giner de los R\u00edos, Tezontle, Mexico.<\/p>\n<p><strong>1953<\/strong><br \/>\u2022 <em>Cuentos<\/em> by Augusto Monterroso, Los Presentes, Mexico.<\/p>\n<p><strong>1954<\/strong><br \/>\u2022 <em>Relatos mexicanos<\/em> by \u00c1ngel Bassols Batalla, Los Presentes, Mexico.<\/p>\n<p>\u2022\u00a0<em>Los d\u00edas enmascarados<\/em> by Carlos Fuentes, Los Presentes, Mexico.<\/p>\n<p><strong>1954<\/strong><br \/>\u2022\u00a0<em>Parentalia <\/em>by Alfonso Reyes, Los Presentes, Mexico.<\/p>\n<p><strong>1955<\/strong><br \/>\u2022\u00a0<em>El hero\u00edsmo intelectual<\/em> by Jos\u00e9 Antonio Portuondo, Tezontle, Mexico.<\/p>\n<p><strong>1955<\/strong><br \/>\u2022 <em>Pedro P\u00e1ramo<\/em> by Juan Rulfo, Fondo de Cultura Econ\u00f3mica, Mexico.<\/p>\n<p><strong>1956<\/strong><br \/>\u2022 <em>Palabras en reposo<\/em> by Al\u00ed Chumacero, Fondo de Cultura Econ\u00f3mica, Mexico.<\/p>\n<p><strong>1956<\/strong><br \/>\u2022 <em>Los demonios y los d\u00edas<\/em> by Rub\u00e9n Bonifaz Nu\u00f1o, Tezontle, Mexico.<\/p>\n<p><strong>1956<\/strong><br \/>\u2022\u00a0<em>Las provincias del aire<\/em> by Jaime Garc\u00eda Terr\u00e9s, Letras Mexicanas, 30, Fondo de Cultura Econ\u00f3mica, Mexico.<\/p>\n<p><strong>1958<\/strong><br \/>\u2022 <em>Poemas mexicanos <\/em>by Francisco Giner de los R\u00edos, Universidad Nacional Aut\u00f3noma de M\u00e9xico, Mexico.<\/p>\n<p><strong>1959<\/strong><br \/>\u2022\u00a0<em>Una luz en la otra orilla <\/em>by Mar\u00eda Lombardo de Caso, Letras Mexicanas, 47, Fondo de Cultura Econ\u00f3mica, Mexico.<\/p>\n<p><strong>1962<\/strong><br \/>\u2022 <em>Recuento de poemas<\/em> by Jaime Sabines, Universidad Nacional Aut\u00f3noma de M\u00e9xico, Mexico.<\/p>\n<p><strong>1969<\/strong><br \/>\u2022\u00a0<em>El ala del tigre<\/em> by Rub\u00e9n Bonifaz Nu\u00f1o, Letras Mexicanas, 93, Fondo de Cultura Econ\u00f3mica, Mexico.<\/p>\n<p><strong>1978<\/strong><br \/>\u2022 <em>La cabeza de la hidra<\/em> by Carlos Fuentes, Joaqu\u00edn Mortiz, Mexico.<\/p>\n<p><strong>1978<\/strong><br \/>\u2022\u00a0<em>La piedra en el pozo<\/em> by Luis Roberto Vera, Ediciones de la Quinta Estaci\u00f3n, M\u00e9xico.<\/p>\n<p><strong>1980<\/strong><br \/>\u2022 <em>Recolecci\u00f3n a mediod\u00eda<\/em> by Ernesto Mej\u00eda S\u00e1nchez, Joaqu\u00edn Mortiz, Mexico.<\/p>\n<p><strong>1991<\/strong><br \/>\u2022 <em>Otro recuento de poemas (1950-1991)<\/em> by Jaime Sabines, Joaqu\u00edn Mortiz, Mexico.<\/p>\n<p><strong>1994<\/strong><br \/>\u2022 <em>El esp\u00edritu de don Juan. Una introducci\u00f3n a la obra de Carlos Castaneda <\/em>by Joaqu\u00edn Castillo y Richard Dixey, Grijalbo, Mexico.<\/p>\n<p><strong>1995<\/strong><br \/>\u2022 <em>Retrato cr\u00edtico <\/em>by Al\u00ed Chumacero, Universidad Nacional Aut\u00f3noma de M\u00e9xico, Mexico.<\/p>\n<p><strong>1996<\/strong><br \/>\u2022\u00a0<em>Di\u00e1logo del hombre<\/em> by Ra\u00fal Horta, Comisi\u00f3n Nacional de Derechos Humanos, Mexico.<\/p>\n<p><strong>1997<\/strong><br \/>\u2022 <em>Humanismo en el nuevo mundo: ensayo hist\u00f3rico y perspectivas contempor\u00e1neas<\/em> by Ra\u00fal Horta, Porr\u00faa, M\u00e9xico.<\/p>\n<p><strong>1998<\/strong><br \/>\u2022 <em>Recuento de poemas 1950-1993<\/em> by Jaime Sabines, Joaqu\u00edn Mortiz, M\u00e9xico [edici\u00f3n de bolsillo].<\/p>\n<p><strong>1999<\/strong><br \/>\u2022 <em>La herencia<\/em> by Jorge\u00a0 G. Casta\u00f1eda, Alfaguara, Mexico.<\/p>\n<p><strong>1999<\/strong><br \/>\u2022\u00a0<em>\u00bfHombre o hambre? Caminos para la supervivencia<\/em> by Ra\u00fal Horta, Ediciones Central de Relaciones P\u00fablicas, S.A. de C.V., Mexico.<\/p>\n<p><strong>2000<\/strong><br \/>\u2022 <em>El \u00e1rbol de la cultura iberoamericana<\/em> by Ra\u00fal Horta, Edamex, Mexico.<\/p>\n<p><strong>2000<\/strong><br \/>\u2022 <em>La herencia<\/em> by Jorge G. Casta\u00f1eda, Punto de Lectura, Mexico.<\/p>\n<p><strong>2000<\/strong><br \/>\u2022\u00a0<em>Paisaje nocturno<\/em> by Miguel \u00c1ngel Mu\u00f1oz, Praxis, Mexico.<\/p>\n<p><strong>2001<\/strong><br \/>\u2022 <em>El futuro del agua en M\u00e9xico<\/em> by Manuel Perl\u00f3 Cohen, Banobras y Artes Gr\u00e1ficas Panorama S.A. de C.V., Mexico.<\/p>\n<p><strong>2005<\/strong><br \/>\u2022 <em>El origen de la niebla<\/em> by Miguel \u00c1ngel Mu\u00f1oz, Fondo Editorial Tierra Adentro, Mexico.<\/p>\n<p><strong>2006<\/strong><br \/>\u2022 <em>Exutorio. Poes\u00eda reunida 1964-2003<\/em> by Guillermo Fern\u00e1ndez, Fondo de Cultura Econ\u00f3mica, Mexico.<\/p>\n<p><strong>2008<\/strong><br \/>\u2022 <em>Recuento de poemas 1950-1993<\/em> by Jaime Sabines, Booket, Mexico.<\/p>\n<p><strong>2013<\/strong><br \/>\u2022 <em>Linaje de brujos<\/em> by Jos\u00e9 N. Iturriaga, Grijalbo, Mexico.<\/p>\n<p><strong>2015<\/strong><br \/>\u2022 <em>Pedro P\u00e1ramo<\/em>\u00a0by Juan Rulfo (tribute edition), RM, Mexico.<\/p>\n<p><strong>2017<\/strong><br \/>\u2022 <em>Mata H<\/em><i>ari Blows a Kiss<\/i>\u00a0by Lisa Dom\u00ednguez Abraham, Swan Scythe Press, Sunnyvale, CA, USA.<\/p>\n<p>\u2022 <i>Recolecci\u00f3n de mediod\u00eda<\/i>\u00a0by Ernesto Mej\u00eda S\u00e1nchez, Colecci\u00f3n Poemas y Ensayos, Coordinaci\u00f3n de Humanidades, UNAM, Mexico.<\/p>\n<p><strong>2018<\/strong><br \/>\u2022 <i>Rub\u00e9n Bonifaz Nu\u00f1o: poes\u00eda. Recepci\u00f3n cr\u00edtica (1945-2012)<\/i>\u00a0by Various authors, Colecci\u00f3n Poemas y Ensayos, Coordinaci\u00f3n de Humanidades, UNAM, Mexico.<\/p>\n<\/div>\n<\/div>\n<p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/section><section id=\"about\" class=\"kc-elm kc-css-840392 kc_row kenty_section_1\"><div class=\"kc-row-container  kc-container\"><div class=\"kc-wrap-columns\"><div class=\"kc-elm kc-css-979833 kc_col-sm-12 kc_column kc_col-sm-12\"><div class=\"kc-col-container\"><div class=\"kc-elm kc-css-705823 kc_row kc_row_inner box-wrap\"><div class=\"box\"><div class=\"kc-elm kc-css-934346 kc_col-sm-12 kc_column_inner kc_col-sm-12\"><div class=\"kc_wrapper kc-col-inner-container\"><div class=\"kc-elm kc-css-704909 kc_row kc_row_inner box-wrap\"><div class=\"kc-elm kc-css-378543 kc_col-sm-6 kc_column_inner kc_col-sm-6 left\"><div class=\"box-1 kc_wrapper kc-col-inner-container\">\n<div class=\"kc-elm kc-css-930300 kc-title-wrap \">\n\n\t<h2 class=\"kc_title\">Awards and Honours<\/h2>\n<\/div>\n<\/div><\/div><div class=\"kc-elm kc-css-683387 kc_col-sm-6 kc_column_inner kc_col-sm-6 right\"><div class=\"box-2 kc_wrapper kc-col-inner-container\">\n<div class=\"kc-elm kc-css-228482 kc-title-wrap \">\n\n\t<h3 class=\"kc_title\"><\/h3>\n<\/div>\n<\/div><\/div><\/div><div class=\"kc-elm kc-css-126967\" style=\"height: 50px; clear: both; width:100%;\"><\/div><div class=\"kc-elm kc-css-765051 kc_text_block text-desc\"><\/p>\n<div class=\"span6 first-module module_number_1 module_cont center_title module_text_area\">\n<div class=\"module_content\">\n<p><strong>1964<\/strong><\/p>\n<p class=\"texto1\">\u2022 Acquisition Prize &#8220;Moinho Santista\", highest recognition of the Sao Paulo Biennial.<\/p>\n<p><strong>1967<\/strong><\/p>\n<p class=\"texto1\">\u2022 Ra\u00fal Bailleres Prize, Mexico.<\/p>\n<p><strong>1993<\/strong><\/p>\n<p class=\"texto1\">\u2022 Nominated Artist Emeritus by the National Foundation for Culture and Arts (FONCA).<\/p>\n<p><strong>2008<\/strong><\/p>\n<p class=\"texto1\">\u2022 For this 90th Birthday, in 2008, he receives the Gold Medal by the National Institute of Fine Arts; the Medal of the Federal District, the Parchment by which he was nominated Distinguished Citizen of the Federal District, granted by Mexico City&#039;s Government. At the same time, the creation of the Ricardo Mart\u00ednez Cultural Center was announced, to be established in the Historical Center.<\/p>\n<p><strong>2009<\/strong><br \/>\u2022 Mexico City&#039;s Government proposed the creation of the Ricardo Mart\u00ednez Cultural Center to be established at the former Variedades Cinema, on Avenida Ju\u00e1rez, in the Center of the City. This project did not take place.<\/p>\n<\/div>\n<\/div>\n<p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/section><section id=\"about\" class=\"kc-elm kc-css-363541 kc_row kenty_section_1\"><div class=\"kc-row-container  kc-container\"><div class=\"kc-wrap-columns\"><div class=\"kc-elm kc-css-667592 kc_col-sm-12 kc_column kc_col-sm-12\"><div class=\"kc-col-container\"><div class=\"kc-elm kc-css-744850 kc_row kc_row_inner box-wrap\"><div class=\"box\"><div class=\"kc-elm kc-css-592051 kc_col-sm-12 kc_column_inner kc_col-sm-12\"><div class=\"kc_wrapper kc-col-inner-container\">\n<div class=\"kc-elm kc-css-622739 kc-title-wrap \">\n\n\t<h2 class=\"kc_title\">Exposiciones individuales<\/h2>\n<\/div>\n<div class=\"kc-elm kc-css-873566 kc_text_block text-desc\"><\/p>\n<div class=\"span6 first-module module_number_1 module_cont center_title module_text_area\">\n<div class=\"module_content\">\n<p class=\"texto1\"><strong class=\"headInModule\">1944<\/strong><br \/>\u2022 &#8220;\u00d3leos, temples y dibujos\", Galer\u00eda de Arte Mexicano, Ciudad de M\u00e9xico.<\/p>\n<p class=\"texto1\"><strong>1945<\/strong><br \/>\u2022 &#8220;Ricardo Mart\u00ednez\", Galer\u00eda de Arte Mexicano, Ciudad de M\u00e9xico.<\/p>\n<p class=\"texto1\"><strong>1947<\/strong><br \/>\u2022 &#8220;10 \u00f3leos recientes\", Galer\u00eda de Arte Mexicano, Ciudad de M\u00e9xico.<\/p>\n<p class=\"texto1\"><strong>1948-1949<\/strong><br \/>\u2022 Fine Arte Center, Colorado Springs, CO.<\/p>\n<p class=\"texto1\"><strong>1950<\/strong><br \/>\u2022 &#8220;Ricardo Mart\u00ednez\", Galer\u00eda de Arte Mexicano, Ciudad de M\u00e9xico.<\/p>\n<p class=\"texto1\"><strong>1951<\/strong><br \/>\u2022 &#8220;\u00d3leos y sanguinas\", Galer\u00eda de Arte Mexicano, Ciudad de M\u00e9xico.<\/p>\n<p class=\"texto1\"><strong>1952<\/strong><br \/>\u2022 &#8220;13 \u00f3leos recientes\", Galer\u00eda de Arte Mexicano, Ciudad de M\u00e9xico.<\/p>\n<p class=\"texto1\"><strong>1954<\/strong><br \/>\u2022 &#8220;\u00d3leos de Ricardo Mart\u00ednez\", Galer\u00eda de Arte Mexicano, Ciudad de M\u00e9xico.<\/p>\n<p class=\"texto1\"><strong>1955<\/strong><br \/>\u2022 &#8220;Ricardo Mart\u00ednez\", Galer\u00eda de Arte Mexicano, Ciudad de M\u00e9xico.<\/p>\n<p class=\"texto1\"><strong>1956<\/strong><br \/>\u2022 &#8220;15 \u00f3leos\". Su obra anuncia ya un estilo monumental de influencia prehisp\u00e1nica. Galer\u00eda de Arte Mexicano, Ciudad de M\u00e9xico.<\/p>\n<p class=\"texto1\"><strong>1958<\/strong><br \/>\u2022 &#8220;\u00d3leos\". Aqu\u00ed presenta once \u00f3leos que marcan una ruptura con su estilo anterior y el encuentro de una forma de expresi\u00f3n personal que seguir\u00e1 desarrollando hasta el final de su vida. Galer\u00eda de Arte Mexicano, Ciudad de M\u00e9xico.<\/p>\n<p class=\"texto1\"><strong>1959<\/strong><br \/>\u2022 &#8220;Ricardo Martinez\", The Contemporaries, Nueva York.<\/p>\n<p class=\"texto1\"><strong>1960<\/strong><br \/>\u2022 &#8220;Martinez. Exhibition of Recent Paintings\", The Contemporaries, Nueva York.<\/p>\n<p class=\"texto1\"><strong>1961<\/strong><br \/>\u2022 &#8220;Ricardo Martinez, an Exhibition of Recent Paintings\", The Contemporaries, Nueva York.<\/p>\n<p class=\"texto1\"><strong>1964<\/strong><br \/>\u2022 &#8220;Pinturas\", \u00faltima exposici\u00f3n individual en la Galer\u00eda de Arte Mexicano. A partir de entonces no volvi\u00f3 a trabajar con galer\u00edas mexicanas, sino que recib\u00eda personalmente en su estudio y vend\u00eda directamente.<br \/>\u2022 &#8220;Recent Paintings\", The Contemporaries, Nueva York.<\/p>\n<p class=\"texto1\"><strong>1966<\/strong><br \/>\u2022 &#8220;Ricardo Martinez. Recent Paintings\", Phoenix Art Museum, Phoenix, AZ.<\/p>\n<p class=\"texto1\"><strong>1969<\/strong><br \/>\u2022 &#8220;Pintura de Ricardo Mart\u00ednez\", Museo de Arte Moderno, Instituto Nacional de Bellas Artes (INBA), Ciudad de M\u00e9xico.<\/p>\n<p class=\"texto1\"><strong>1974<\/strong><br \/>\u2022 &#8220;Ricardo Mart\u00ednez. 40 pinturas. Expansi\u00f3n r\u00edtmica de los vol\u00famenes\", Museo de Arte Moderno, INBA, Ciudad de M\u00e9xico.<\/p>\n<p class=\"texto1\"><strong>1976<\/strong><br \/>\u2022 The Sindin Gallery, Nueva York.<\/p>\n<p class=\"texto1\"><strong>1984<\/strong><br \/>\u2022 &#8220;Ricardo Mart\u00ednez. Obra reciente, 1975-1984\", Museo del Palacio de Bellas Artes, INBA, Ciudad de M\u00e9xico.<\/p>\n<p class=\"texto1\"><strong>1994<\/strong><br \/>\u2022 &#8220;Ricardo Mart\u00ednez. Exposici\u00f3n antol\u00f3gica. Homenaje Nacional\", Museo del Palacio de Bellas Artes, INBA, Ciudad de M\u00e9xico.<\/p>\n<p class=\"texto1\"><strong>2000<\/strong><br \/>\u2022 &#8220;Ricardo Mart\u00ednez. Energ\u00eda y monumentalidad\", Club de Banqueros de M\u00e9xico, Ciudad de M\u00e9xico.<\/p>\n<p class=\"texto1\"><span class=\"texto1\"><strong>2011<\/strong><br \/>\u2022 &#8220;Ricardo Mart\u00ednez\", Museo de la Ciudad de M\u00e9xico, M\u00e9xico.<\/span><\/p>\n<h3 class=\"headInModule\">Exposiciones colectivas<\/h3>\n<p><strong>1942<\/strong><br \/>\u2022 &#8220;Arte mexicano contempor\u00e1neo\", organizada por Mar\u00eda As\u00fansolo, en la Galer\u00eda de Arte Mar\u00eda As\u00fansolo, Guadalajara, Jalisco.<br \/>\u2022 &#8220;Arte mexicano contempor\u00e1neo\", University Club of Mexico, Ciudad de M\u00e9xico.<\/p>\n<p><strong>1943<\/strong><br \/>\u2022 &#8220;Mexican Art Today\", Philadelphia Museum of Art, PA.<br \/>\u2022 &#8220;The Twenty-Second International Exhibition of Watercolors\", The Art Institute of Chicago, IL.<\/p>\n<p><strong>1944<\/strong><br \/>\u2022 &#8220;The Fifty-fifth Annual American Exhibition: Watercolors and Drawings\", The Art Institute of Chicago, IL.<br \/>\u2022 &#8220;Modern Mexican Artists\", The Whyte Gallery, Washington, D.C.<\/p>\n<p><strong>1945<\/strong><br \/>\u2022 &#8220;Pintura moderna mexicana 1900-1945\", Guanajuato.<br \/>\u2022 &#8220;Mexican Painting\", Knoedler Galleries, Nueva York.<br \/>\u2022 &#8220;Sal\u00f3n de la Pintura 1945\", Galer\u00eda de Arte-Decoraci\u00f3n, Ciudad de M\u00e9xico.<\/p>\n<p><strong>1946<\/strong><br \/>\u2022 &#8220;Pinturas, esculturas, grabados, dibujos\", Museo del Palacio de Bellas Artes, INBA, Ciudad de M\u00e9xico.<br \/>\u2022 &#8220;From Market Place to Museum, Exhibition of Mexican Art\", Grand Central Art Galleries, Nueva York.<br \/>\u2022 &#8220;Quinta Exposici\u00f3n Nacional de Floricultura. IV Sal\u00f3n de las Flores\", Direcci\u00f3n General de Agricultura, Secretar\u00eda de Agricultura y Ganader\u00eda, M\u00e9xico.<\/p>\n<p><strong>1947<\/strong><br \/>\u2022 &#8220;Paintings and Drawings of Latin America\", Knoedler Galleries, Nueva York.<\/p>\n<p><strong>1948<\/strong><br \/>\u2022 Sala de Exposiciones de la Academia, Guatemala.<br \/>\u2022 &#8220;Mexican Painting\", Industrial Fair, Toronto, Canad\u00e1.<\/p>\n<p><strong>1950<\/strong><br \/>\u2022 &#8220;La Fiesta de la Flor y la exposici\u00f3n de pinturas alusivas\", Galer\u00edas Exc\u00e9lsior, Ciudad de M\u00e9xico.<br \/>\u2022 &#8220;Exposici\u00f3n de grabados y pintura religiosa moderna mexicana\", Clardecor, Ciudad de M\u00e9xico.<\/p>\n<p><strong>1951<\/strong><br \/>\u2022 Exposici\u00f3n inaugural de la Galer\u00eda de Arte Contempor\u00e1neo, Ciudad de M\u00e9xico.<\/p>\n<p><strong>1952<\/strong><br \/>\u2022 &#8220;The 1952 Pittsburgh International Exhibition of Contemporary Painting\", Department of Fine Arts, Carnegie Institute, Washington, D.C.<br \/>\u2022 &#8220;Masterworks of Mexican Art\", Mus\u00e9e National d&#039;Art Moderne, Par\u00eds, Francia.<br \/>\u2022 Galer\u00eda Liljevalchs Konshall, Estocolmo, Suecia.<\/p>\n<p><strong>1953<\/strong><br \/>\u2022 &#8220;Collection Mr. &#038; Mrs. Robert D. Straus. Paintings, Prints, Drawings, Sculpture\", Fort Worth Art Center, Fort Worth, TX.<br \/>\u2022 Tate Gallery, Londres, Inglaterra.<\/p>\n<p><strong>1954<\/strong><br \/>\u2022 &#8220;Arte mexicano\", Edificio &#8220;La Cr\u00f3nica\", Lima, Per\u00fa.<\/p>\n<p><strong>1955<\/strong><br \/>\u2022 &#8220;The Third International Art Exhibition\", Museum of Fine Arts, Houston, TX.<\/p>\n<p><strong>1956<\/strong><br \/>\u2022 &#8220;Gulf-Caribbean Art Exhibition\", Museum of Fine Arts, Houston, TX.<\/p>\n<p><strong>1957<\/strong><br \/>\u2022 &#8220;The Fourth International Art Exhibition\", The Mainichi Newspaper, Tokio, Jap\u00f3n.<\/p>\n<p><strong>1958<\/strong><br \/>\u2022 &#8220;Pintura mexicana contempor\u00e1nea\", XXIX Bienal de Venecia, Italia.<br \/>\u2022 &#8220;Twentieth Century Mexican Painting\", Marion Koogler McNay Art Institute, San Antonio, TX.<br \/>\u2022 &#8220;I Bienal Interamericana de Pintura y Grabado\", Museo Nacional de Artes Pl\u00e1sticas, INBA, Ciudad de M\u00e9xico.<br \/>\u2022 &#8220;Art Mexican Contemporain\", varios recintos, Francia.<br \/>\u2022 &#8220;Mexican Art Precolombian to Modern Times\", University of Michigan, Ann Arbor, MI.<\/p>\n<p><strong>1959<\/strong><br \/>\u2022 &#8220;Exhibition of Contemporary Mexican Art\", Mexican Art Gallery, San Antonio, TX.<br \/>\u2022 &#8220;Medio siglo de la Escuela Mexicana de Pintura (1910-1969)\", Galer\u00eda del Centro Deportivo Israelita, Ciudad de M\u00e9xico.<br \/>\u2022 &#8220;Arte mexicano de la \u00e9poca prehisp\u00e1nica a nuestros d\u00edas\", Galer\u00edas Chapultepec, INBA, Ciudad de M\u00e9xico.<br \/>\u2022 &#8220;Tres siglos de dibujo en M\u00e9xico 1700-1959\", Sal\u00f3n de la Pl\u00e1stica Mexicana, INBA, Ciudad de M\u00e9xico.<br \/>\u2022 &#8220;The United States Collects Pan-American Art\", Art Institute of Chicago, Chicago, IL.<br \/>\u2022 &#8220;El arte de la vida\", Instituto Polit\u00e9cnico Nacional, Ciudad de M\u00e9xico.<br \/>\u2022 Koninklijk Instituut voor de Tropen, Amsterdam, Holanda.<\/p>\n<p><strong>1960<\/strong><br \/>\u2022 &#8220;Obras maestras del arte mexicano\", Londres, Par\u00eds, Copenhague, Mosc\u00fa, Leningrado, Varsovia, Tokio, Roma, Los \u00c1ngeles (1960-1963), organizado por el gobierno mexicano.<\/p>\n<p><strong>1961<\/strong><br \/>\u2022 &#8220;Latin American, New Departures\", Institute of Contemporary Art Exhibition, Boston, MA.<\/p>\n<p><strong>1962<\/strong><br \/>\u2022 &#8220;Pintura mexicana del siglo XX\", Galer\u00eda del Centenario, Plaza del Pari\u00e1n, Puebla.<br \/>\u2022 &#8220;Exposici\u00f3n de pintura mexicana\", Campeche.<br \/>\u2022 &#8220;Pintura contempor\u00e1nea de M\u00e9xico\", Museo Nacional de Bellas Artes, Buenos Aires, Argentina.<br \/>\u2022 &#8220;Pintura y grabado de M\u00e9xico\", Palacio Municipal de Matamoros, Tamaulipas.<\/p>\n<p><strong>1963<\/strong><br \/>\u2022 VII Bienal de Sao Paulo, Sao Paulo, Brasil.<br \/>\u2022 &#8220;La floresta en la pintura nacional, cincuenta paisajes mexicanos\", Museo Nacional de Arte Moderno, INBA, Ciudad de M\u00e9xico.<\/p>\n<p><strong>1964<\/strong><br \/>\u2022 &#8220;Mother and Child in Modern Art\", American Federation of Art, varios recintos (1964-1965), Estados Unidos.<br \/>\u2022 &#8220;A Decade of Contemporary Mexican Artists (1964-1965)\", Phoenix Art Museum, Phoenix, AZ.<br \/>\u2022 &#8220;El dibujo mexicano de 1847 a nuestros d\u00edas\", INBA, M\u00e9xico.<br \/>\u2022 &#8220;Conmemoraci\u00f3n de los 183 a\u00f1os de vida de la Academia de San Carlos\", Academia de San Carlos, UNAM, Ciudad de M\u00e9xico.<\/p>\n<p><strong>1965<\/strong><br \/>\u2022 &#8220;Nuevas adquisiciones en el Museo de la Universidad de Puerto Rico\", Museo de Arte Ponce, Puerto Rico.<br \/>\u2022 &#8220;Mexico, Past and Present\", Birmingham Museum of Art, Birmingham, AL.<br \/>\u2022 &#8220;Latin American Art from Independence to Our Days (1965-1967)\", University of Yale, New Heaven, CT.<br \/>\u2022 &#8220;The Emergent Decade, An Exhibition of Contemporary Latin American Painting\", Cornell University, Ithaca, NY &#038; The Solomon R. Guggenheim Museum, Nueva York.<\/p>\n<p><strong>1967<\/strong><br \/>\u2022 &#8220;Sal\u00f3n de Oto\u00f1o\", Asociaci\u00f3n M\u00e9dica de Jalisco, Museo de Arte Moderno, Guadalajara, Jalisco.<br \/>\u2022 &#8220;Cennto Anni di Pittura Messicana 1867-1967\", Instituto Italo-Latino Americano, Roma, Italia.<\/p>\n<p><strong>1968<\/strong><br \/>\u2022 &#8220;Programa Cultural de la XIX Olimpiada\", Galer\u00eda de Arte Mexicano, Ciudad de M\u00e9xico.<\/p>\n<p><strong>1975<\/strong><br \/>\u2022 &#8220;Artistas Contempor\u00e1neos Latinoamericanos\", Galer\u00eda Alexis, San Salvador, El Salvador.<br \/>\u2022 &#8220;La mujer como creadora y tema del arte\", Museo de Arte Moderno, INBA, Ciudad de M\u00e9xico.<\/p>\n<p><strong>1976<\/strong><br \/>\u2022 &#8220;Creadores latinoamericanos contempor\u00e1neos 1950-1976. Pinturas y relieves\", Museo de Arte Moderno, INBA, Ciudad de M\u00e9xico.<br \/>\u2022 Pasaje Metro Z\u00f3calo-Pino Su\u00e1rez, Ciudad de M\u00e9xico.<br \/>\u2022 &#8220;Obra temprana de los grandes maestros\", Galer\u00eda Pintura Joven, Ciudad de M\u00e9xico.<\/p>\n<p><strong>1977<\/strong><br \/>\u2022 The Rubicon Gallery, Los Altos, Cal.<br \/>\u2022 &#8220;Homenaje a la pintura latinoamericana\", Sala Nacional de Exposiciones Parque Cuscatl\u00e1n, San Salvador, El Salvador.<\/p>\n<p class=\"texto1\"><strong>1978<\/strong><br \/>\u2022 &#8220;The Latin American Art Exhibition\", De Armas Gallery, Virginia Garden, FL.<\/p>\n<p class=\"texto1\"><strong>1980<\/strong><br \/>\u2022 &#8220;Im\u00e1genes de M\u00e9xico\", Palacio de Iturbide, Ciudad de M\u00e9xico.<\/p>\n<p class=\"texto1\"><strong>1982<\/strong><br \/>\u2022 \u201cAcervo do MAC USP\u201d, Museo de Arte Contempor\u00e1neo Ibirapuera, Universidad de Sao Paulo, Brasil.<\/p>\n<p class=\"texto1\"><strong>1985<\/strong><br \/>\u2022 \u201cMexiko 1900-Talkonst\u201d, Liljevakchs Konsthall y M\u00e4lmo Konsthall, Estocolmo y<br \/>M\u00e4lmo, Suecia.<br \/>\u2022 \u201cLatino-Americanos no Acervo\u201d, Museo de Arte Contempor\u00e1neo Ibirapuera, Universidad de Sao Paulo, Brasil.<\/p>\n<p class=\"texto1\"><strong>1987<\/strong><br \/>\u2022 \u201cAs Bienais no Acervo do MAC\u201d, Museo de Arte Contempor\u00e1neo Ibirapuera, Universidad de Sao Paulo, Brasil.<\/p>\n<p class=\"texto1\"><strong>1989<\/strong><br \/>\u2022 &#8220;Colecci\u00f3n Pago en Especie\" (los artistas mexicanos, si as\u00ed lo desean, pagan los impuestos con su propia obra, patrocinado por la Secretar\u00eda de Hacienda y Cr\u00e9dito P\u00fablico), Secretar\u00eda de Salud, M\u00e9xico.<br \/>\u2022 &#8220;Museo de Arte Moderno 25 a\u00f1os. 1964-1989\", Museo de Arte Moderno, INBA, Ciudad de M\u00e9xico.<\/p>\n<p class=\"texto1\"><strong>1990<\/strong><br \/>\u2022 &#8220;II Muestra de Pintura y Escultura Latinoamericana\", Galer\u00eda Espacio, San Salvador, El Salvador.<br \/>\u2022 &#8220;Mexican Masters\", Brewster Gallery, Nueva York.<\/p>\n<p class=\"texto1\"><strong>1992<\/strong><br \/>\u2022 &#8220;Mexican Masters of the Post-Muralist Period\", Nevada Museum of Art, Reno, NV; E.L. Wiegand Gallery, EUA.<br \/>\u2022 &#8220;Contrastes\", Colecci\u00f3n Pago en Especie de la Secretar\u00eda de Hacienda y Cr\u00e9dito P\u00fablico, Centro Cultural El Nigromante, INBA, San Miguel de Allende, Guanajuato; Galer\u00eda en INEGI, Aguascalientes.<\/p>\n<p class=\"texto1\"><strong>1993<\/strong><br \/>\u2022 &#8220;Transici\u00f3n y Ruptura. 24 artistas mexicanos\u201d, Galer\u00eda Nortman EUROPALIA 93, INBA,<br \/>Maastricht, Pa\u00edses Bajos.<br \/>\u2022 \u201cUna visi\u00f3n del arte contempor\u00e1neo\u201d, Colecci\u00f3n Pago en Especie, Centro Cultural de la<br \/>Secretar\u00eda de Hacienda y Cr\u00e9dito P\u00fablico, Ciudad de M\u00e9xico.<br \/>\u2022 \u201c100 pintores mexicanos\u201d, Museo de Arte Contempor\u00e1neo, Monterrey, M\u00e9xico.<br \/>\u2022 \u201cArte Latino-americana em Museus de S\u00e3o Paulo\u201d, Memorial da Am\u00e9rica Latina-Galeria do Memorial, Sao Paulo, Brasil.<\/p>\n<p class=\"texto1\"><strong>1994<\/strong><br \/>\u2022 &#8220;Encuentros\", Casa de la Cultura Jes\u00fas Reyes Heroles, Ciudad de M\u00e9xico.<br \/>\u2022 \u201cEl hombre y su entorno. Presencias en la pl\u00e1stica mexicana del siglo XX\u201d, Hospicio Caba\u00f1as, Guadalajara, Jalisco.<br \/>\u2022 \u201cSohno e Constru\u00e7\u00e3o &#8211; Artistas Latino-Americanos no Acervo do MAC\u201d, Museo de Arte Contempor\u00e1neo, sede Ciudad Universitaria, Sao Paulo, Brasil.<\/p>\n<p><span class=\"texto1\"><strong>1997<\/strong><br \/>\u2022 &#8220;Invenciones: obra en papel\u201d, Galer\u00eda A.G. Arte Moderno y Contempor\u00e1neo, Ciudad de<br \/>M\u00e9xico.<br \/>\u2022 \u201cI Bienal de Artes Visuais do Mercosul\u201d, Banco Iochpe\/MARGS\/Espa\u00e7o Cultural Ulbra\/Casa de Cultura M\u00e1rio Quintana, Porto Alegre, Brasil.<strong><br \/><\/strong><\/span><\/p>\n<p><strong>2001<\/strong><br \/>\u2022 &#8220;Soleils mexicains\", Petit Palais, Par\u00eds, Francia.<br \/>\u2022 &#8220;34 artistes mexicains, Quand les imports deviennent un regal pour l&#039;espirit\", Le Centre Culturel de l&#039;Ambassade du Mexique, Par\u00eds, Francia.<br \/>\u2022 &#8220;Colectiva de invierno\", Galer\u00eda L\u00f3pez Quiroga, Ciudad de M\u00e9xico.<\/p>\n<p><strong>2003<\/strong><br \/>\u2022 &#8220;Janelas de Cores: Cole\u00e7\u00e3o\u201d, Museo de Arte Contempor\u00e1neo Ibirapuera, Universidad de Sao Paulo, Brasil.<\/p>\n<p><span class=\"texto1\"><strong>2006<\/strong><br \/>\u2022 &#8220;Pintura mexicana de la posguerra al fin de siglo\", Friends of Shangai Art Museum, Shangai, China.<\/span><\/p>\n<p><span class=\"texto1\"><strong>2008<\/strong><br \/>\u2022 &#8220;La colecci\u00f3n: el peso del realismo\", Museo de Arte Moderno, INBA, Ciudad de M\u00e9xico.<\/span><\/p>\n<p><span class=\"texto1\"><strong>2010<\/strong><br \/>\u2022 &#8220;El maguey. S\u00edmbolo de identidad nacional\", Museo Casa Estudio Diego Rivera y Frida Kahlo, Ciudad de M\u00e9xico.<\/span><\/p>\n<p><span class=\"texto1\"><strong>2013<\/strong><br \/>\u2022 &#8220;L&#039;art mexicain 1920-1960. \u00c9loge du corps\". La Bellevue, Biarritz, Francia.<\/span><\/p>\n<p><span class=\"texto1\"><strong>2015<\/strong><br \/>\u2022 &#8220;La otra fiesta de las balas. Mart\u00edn Luis Guzm\u00e1n\", Museo de Arte Moderno, INBA, Ciudad de M\u00e9xico.<\/span><\/p>\n<h3 class=\"headInModule\">Publicaciones<\/h3>\n<p><span class=\"texto1\"><strong>1965<\/strong><\/span><br \/>\u2022 <em>Ricardo Mart\u00ednez <\/em>de Rub\u00e9n Bonifaz Nu\u00f1o, Universidad Nacional Aut\u00f3noma de M\u00e9xico, M\u00e9xico.<\/p>\n<p><span class=\"texto1\"><strong>1974<\/strong><\/span><br \/>\u2022 <em>Pintura contempor\u00e1nea de M\u00e9xico<\/em> de Luis Cardoza y Arag\u00f3n, Ediciones Era, M\u00e9xico, 1974, con un cap\u00edtulo dedicado a Ricardo Mart\u00ednez.<\/p>\n<p><span class=\"texto1\"><strong>1980<\/strong><\/span><br \/>\u2022\u00a0<em>Ricardo Mart\u00ednez<\/em>, Rub\u00e9n Bonifaz Nu\u00f1o, Universidad Nacional Aut\u00f3noma de M\u00e9xico, M\u00e9xico.<\/p>\n<p><span class=\"texto1\"><strong>1981<\/strong><\/span><br \/>\u2022 <em>Ricardo Mart\u00ednez<\/em>, pr\u00f3logo de Luis Cardoza y Arag\u00f3n, Joaqu\u00edn Mortiz, M\u00e9xico.<\/p>\n<p><span class=\"texto1\"><strong>1994<\/strong><\/span><br \/>\u2022 <em>Ricardo Mart\u00ednez<\/em>, Fondo Editorial Panorama, M\u00e9xico.<\/p>\n<p><strong>2001<\/strong><br \/>\u2022 <em>Ricardo Mart\u00ednez<\/em>, de Miguel \u00c1ngel Mu\u00f1oz, C\u00edrculo de Lectura, Conaculta, M\u00e9xico.<\/p>\n<p><strong>2004<\/strong><br \/>\u2022 Publicaci\u00f3n del libro-cat\u00e1logo<em> Ricardo Mart\u00ednez<\/em>, direcci\u00f3n editorial y dise\u00f1o de Tonatiuh Guti\u00e9rrez, Colecci\u00f3n JAPS, M\u00e9xico.<\/p>\n<p class=\"texto1\"><strong>2007<\/strong><br \/>\u2022 <em>Atm\u00f3sferas<\/em> de Miguel \u00c1ngel Mu\u00f1oz, Siglo XXI Editores, en coedici\u00f3n con el Instituto Nacional de Bellas Artes, M\u00e9xico.<\/p>\n<p><span class=\"texto1\"><strong>2012<\/strong><\/span><br \/>\u2022 <em>Ricardo Mart\u00ednez<\/em>, Museo de la Ciudad de M\u00e9xico, M\u00e9xico.<\/p>\n<div class=\"bg_title\">\n<h3 class=\"headInModule\">Ilustraciones en libros<\/h3>\n<\/div>\n<p>\u2022 <em>Epigramas americanos<\/em>, de Enrique D\u00edez-Canedo, publicada por su hijo Joaqu\u00edn bajo la r\u00fabrica de Joaqu\u00edn Mortiz, M\u00e9xico, 1945.<\/p>\n<p>\u2022 <em>Segundo despertar y otros poemas<\/em>, de Enrique Gonz\u00e1lez Mart\u00ednez, Nueva Floresta, M\u00e9xico, 1945.<\/p>\n<p>\u2022\u00a0<em>Sue\u00f1o y poes\u00eda \/ Sleep and poetry<\/em>, de John Keats, Espiga, M\u00e9xico, 1946.<\/p>\n<p>\u2022\u00a0<em>Nueva Revista de Filolog\u00eda Hisp\u00e1nica<\/em>, Amado Alonso (director), El Colegio de M\u00e9xico, M\u00e9xico, A\u00f1o 1, N\u00famero 1, 1947. La vi\u00f1eta de portada contin\u00faa public\u00e1ndose en la revista.<\/p>\n<p>\u2022\u00a0<em>Junta de sombras<\/em>, de Alfonso Reyes, Fondo de Cultura Econ\u00f3mica, M\u00e9xico, 1949.<\/p>\n<p>\u2022 <em>Libertad bajo palabra<\/em>, de Octavio Paz,\u00a0Tezontle, M\u00e9xico, 1949.<\/p>\n<p>\u2022 <em>Cuentos<\/em>, de Juan Jos\u00e9 Arreola, Los Presentes, M\u00e9xico, 1950.<\/p>\n<p>\u2022\u00a0<em>Diario hist\u00f3rico de los viages de mar y tierra hechos al norte de la California<\/em>, de Miguel Constans\u00f3, Edici\u00f3n Chimalistac, M\u00e9xico, 1950.<\/p>\n<p>\u2022 <em>El retorno<\/em>, de Ernesto Mej\u00eda S\u00e1nchez, Los Presentes, M\u00e9xico, 1950.<\/p>\n<p>\u2022 <em>Sonetos<\/em>, de Carlos Pellicer, Los Presentes, M\u00e9xico, 1950.<\/p>\n<p>\u2022 <em>Po\u00e9tica<\/em>, de Rub\u00e9n Bonifaz Nu\u00f1o, Los Presentes, M\u00e9xico, 1951.<\/p>\n<p>\u2022 <em>A Enrique Gonz\u00e1lez Mart\u00ednez en sus ochenta a\u00f1os<\/em>, editado por Joaqu\u00edn D\u00edez-Canedo y Al\u00ed Chumacero, Homenaje, M\u00e9xico, 1951.<\/p>\n<p>\u2022\u00a0<em>El nuevo narciso<\/em>, de Enrique Gonz\u00e1lez Mart\u00ednez, Letras Mexicanas, 3, Fondo de Cultura Econ\u00f3mica, M\u00e9xico, 1952.<\/p>\n<p>\u2022 <em>Muerte sin fin<\/em>, de Jos\u00e9 Gorostiza, Fondo de Cultura Econ\u00f3mica, M\u00e9xico, 1952.<\/p>\n<p>\u2022 <em>El hermano menor<\/em>, de Jaime Garc\u00eda Terr\u00e9s, Los Presentes, M\u00e9xico, 1953.<\/p>\n<p>\u2022 <em>La jornada hecha. Poes\u00eda: 1934-1952<\/em>, de Francisco Giner de los R\u00edos, Tezontle, M\u00e9xico, 1953.<\/p>\n<p>\u2022 <em>Cuentos<\/em>, de Augusto Monterroso, Los Presentes, M\u00e9xico, 1953.<\/p>\n<p>\u2022 <em>Relatos mexicanos<\/em>, de \u00c1ngel Bassols Batalla, Los Presentes, M\u00e9xico, 1954.<\/p>\n<p>\u2022\u00a0<em>Los d\u00edas enmascarados<\/em>, de Carlos Fuentes, Los Presentes, M\u00e9xico, 1954.<\/p>\n<p>\u2022\u00a0<em>Parentalia<\/em>, de Alfonso Reyes, Los Presentes, M\u00e9xico, 1954.<\/p>\n<p>\u2022\u00a0<em>El hero\u00edsmo intelectual<\/em>, de Jos\u00e9 Antonio Portuondo, Tezontle, M\u00e9xico, 1955.<\/p>\n<p>\u2022 <em>Pedro P\u00e1ramo<\/em>, de Juan Rulfo, Fondo de Cultura Econ\u00f3mica, M\u00e9xico, 1955.<\/p>\n<p>\u2022 <em>Palabras en reposo<\/em>, de Al\u00ed Chumacero, Fondo de Cultura Econ\u00f3mica, M\u00e9xico, 1956.<\/p>\n<p>\u2022 <em>Los demonios y los d\u00edas<\/em>, de Rub\u00e9n Bonifaz Nu\u00f1o, Tezontle, M\u00e9xico, 1956.<\/p>\n<p>\u2022\u00a0<em>Las provincias del aire<\/em>, de Jaime Garc\u00eda Terres, Letras Mexicanas, 30, Fondo de Cultura Econ\u00f3mica, M\u00e9xico, 1956.<\/p>\n<p>\u2022 <em>Poemas mexicanos<\/em>, de Francisco Giner de los R\u00edos, Universidad Nacional Aut\u00f3noma de M\u00e9xico, M\u00e9xico, 1958.<\/p>\n<p>\u2022\u00a0<em>Una luz en la otra orilla<\/em>, de Mar\u00eda Lombardo de Caso, Letras Mexicanas, 47, Fondo de Cultura Econ\u00f3mica, M\u00e9xico, 1959.<\/p>\n<p>\u2022 <em>Recuento de poemas<\/em>, de Jaime Sabines, Universidad Nacional Aut\u00f3noma de M\u00e9xico, M\u00e9xico, 1962.<\/p>\n<p>\u2022\u00a0<em>El ala del tigre<\/em>, de Rub\u00e9n Bonifaz Nu\u00f1o, Letras Mexicanas,\u00a093, Fondo de Cultura Econ\u00f3mica, M\u00e9xico, 1969.<\/p>\n<p>\u2022 <em>La cabeza de la hidra<\/em>, de Carlos Fuentes, Joaqu\u00edn Mortiz, M\u00e9xico, 1978.<\/p>\n<p>\u2022\u00a0<em>La piedra en el pozo<\/em>, de Luis Roberto Vera, Ediciones de la Quinta Estaci\u00f3n, M\u00e9xico, 1978.<\/p>\n<p>\u2022 <em>Recolecci\u00f3n a mediod\u00eda<\/em>, de Ernesto Mej\u00eda S\u00e1nchez, Joaqu\u00edn Mortiz, M\u00e9xico, 1980.<\/p>\n<p>\u2022 <em>Otro recuento de poemas (1950-1991)<\/em>, de Jaime Sabines, Joaqu\u00edn Mortiz, M\u00e9xico, 1991.<\/p>\n<p>\u2022 <em>El esp\u00edritu de don Juan. Una introducci\u00f3n a la obra de Carlos Castaneda<\/em>, de Joaqu\u00edn Castillo y Richard Dixey, Grijalbo, M\u00e9xico, 1994.<\/p>\n<p>\u2022 <em>Retrato cr\u00edtico<\/em>, de Al\u00ed Chumacero, Universidad Nacional Aut\u00f3noma de M\u00e9xico, M\u00e9xico, 1995.<\/p>\n<p>\u2022\u00a0<em>Di\u00e1logo del hombre<\/em>, de Ra\u00fal Horta, Comisi\u00f3n Nacional de Derechos Humanos, M\u00e9xico, 1996.<\/p>\n<p>\u2022 <em>Humanismo en el nuevo mundo: ensayo hist\u00f3rico y perspectivas contempor\u00e1neas<\/em>, de Ra\u00fal Horta, Porr\u00faa, M\u00e9xico, 1997.<\/p>\n<p>\u2022 <em>Recuento de poemas 1950-1993<\/em>, de Jaime Sabines, Joaqu\u00edn Mortiz, M\u00e9xico, 1997; edici\u00f3n de bolsillo, 1998.<\/p>\n<p>\u2022 <em>La herencia<\/em>, de Jorge\u00a0 G. Casta\u00f1eda, Alfaguara, M\u00e9xico, 1999.<\/p>\n<p>\u2022\u00a0<em>\u00bfHombre o hambre? Caminos para la supervivencia<\/em>, de Ra\u00fal Horta, Ediciones Central de Relaciones P\u00fablicas, S.A. de C.V., M\u00e9xico, 1999.<\/p>\n<p>\u2022 <em>El \u00e1rbol de la cultura iberoamericana<\/em>, de Ra\u00fal Horta, Edamex, M\u00e9xico, 2000.<\/p>\n<p>\u2022 <em>La herencia,<\/em> de Jorge G. Casta\u00f1eda, Punto de Lectura, M\u00e9xico, 2000.<\/p>\n<p>\u2022\u00a0<em>Paisaje nocturno<\/em>, de Miguel \u00c1ngel Mu\u00f1oz, Praxis, M\u00e9xico, 2000.<\/p>\n<p>\u2022 <em>El futuro del agua en M\u00e9xico<\/em>, de Manuel Perl\u00f3 Cohen, Banobras y Artes Gr\u00e1ficas Panorama S.A. de C.V., M\u00e9xico, 2001.<\/p>\n<p>\u2022 <em>El origen de la niebla<\/em>, de Miguel \u00c1ngel Mu\u00f1oz, Fondo Editorial Tierra Adentro, M\u00e9xico, 2005.<\/p>\n<p>\u2022 <em>Exutorio. Poes\u00eda reunida 1964-2003<\/em>, de Guillermo Fern\u00e1ndez, Fondo de Cultura Econ\u00f3mica, M\u00e9xico, 2006.<\/p>\n<p>\u2022 <em>Recuento de poemas 1950-1993<\/em>, de Jaime Sabines, Booket, M\u00e9xico, 2008.<\/p>\n<p>\u2022 <em>Linaje de brujos<\/em>, de Jos\u00e9 N. Iturriaga, Grijalbo, M\u00e9xico, 2013.<\/p>\n<h3 class=\"headInModule\">Premios y reconocimientos<\/h3>\n<p class=\"texto1\">\u2022 Premio de adquisici\u00f3n &#8220;Moinho Santista\", m\u00e1ximo galard\u00f3n de la Bienal de Sao Paulo, 1964.<\/p>\n<div class=\"module_content\">\n<p class=\"texto1\">\u2022 Premio &#8220;Ra\u00fal Baillers\", 1967, M\u00e9xico.<\/p>\n<p class=\"texto1\">\u2022 En 1993 es nombrado Artista Em\u00e9rito por el Fondo Nacional para la Cultura y las Artes (FONCA), M\u00e9xico.<\/p>\n<p class=\"texto1\">\u2022 A los 90 a\u00f1os de vida, en 2008 recibe la Medalla de Oro del Instituto Nacional de Bellas Artes, la Medalla del Distrito Federal, el Pergamino y el nombramiento de Ciudadano Distinguido del D.F., por parte del Gobierno de la Ciudad de M\u00e9xico. En este mismo acto se anuncia la creaci\u00f3n del Centro Cultural Ricardo Mart\u00ednez en el Centro Hist\u00f3rico de la Ciudad.<\/p>\n<p>\u2022 En 2009, el gobierno de la Ciudad de M\u00e9xico, propone crear el Centro Cultural Ricardo Mart\u00ednez, en el inmueble ubicado en Av. Ju\u00e1rez No. 58, en el Centro Hist\u00f3rico, en lo que era el cine Variedades, sin embargo no se concret\u00f3.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<p>.<\/p>\n<p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"kc-elm kc-css-763412 kc_row kc_row_inner box-wrap\"><div class=\"kc-elm kc-css-345402 kc_col-sm-6 kc_column_inner kc_col-sm-6 left\"><div class=\"box-1 kc_wrapper kc-col-inner-container\">\n<div class=\"kc-elm kc-css-394422 kc-title-wrap \">\n\n\t<h3 class=\"kc_title\">I design meaningful visual identities and beautiful.<\/h3>\n<\/div>\n<div class=\"kc-elm kc-css-121059 kc_text_block text-desc2\"><\/p>\n<p>\nThere are many variations of passages of Lorem Ipsum available the alteration in some.<\/p>\n<p>\n<\/div><\/div><\/div><div class=\"kc-elm kc-css-339926 kc_col-sm-6 kc_column_inner kc_col-sm-6 right\"><div class=\"box-2 kc_wrapper kc-col-inner-container\">\n<div class=\"kc-elm kc-css-87311 kc-title-wrap \">\n\n\t<h3 class=\"kc_title\">Innovative thinking, UI\/UX design and development.<\/h3>\n<\/div>\n<div class=\"kc-elm kc-css-777004 kc_text_block text-desc2\"><\/p>\n<p>\nThere are many variations of passages of Lorem Ipsum available the alteration in some.<\/p>\n<p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/section><section id=\"portfolio\" class=\"kc-elm kc-css-101686 kc_row kenty_section_2\"><div class=\"kc-row-container\"><div class=\"kc-wrap-columns\"><div class=\"kc-elm kc-css-750787 kc_col-sm-12 kc_column kc_col-sm-12\"><div class=\"kc-col-container\"><div class=\"kc-elm kc-css-627694 kc_row kc_row_inner box-1 box\"><div class=\"kc-elm kc-css-544999 kc_col-sm-12 kc_column_inner kc_col-sm-12\"><div class=\"layover kc_wrapper kc-col-inner-container\">\n<div class=\"kc-elm kc-css-428406 kc-title-wrap \">\n\n\t<h2 class=\"kc_title\"><a href=\"#\" class=\"kc_title_link\" title=\"\" target=\"\">Website<\/a><\/h2>\n<\/div>\n<div class=\"kc-elm kc-css-530189 kc_text_block text-desc\"><\/p>\n<p>\nWe have created every demo with<\/p>\n<p>latest web technologies<\/p>\n<p>\n<\/div><\/div><\/div><\/div><div class=\"kc-elm kc-css-335199 kc_row kc_row_inner box-2 box\"><div class=\"kc-elm kc-css-872536 kc_col-sm-12 kc_column_inner kc_col-sm-12\"><div class=\"layover kc_wrapper kc-col-inner-container\">\n<div class=\"kc-elm kc-css-891570 kc-title-wrap \">\n\n\t<h2 class=\"kc_title\"><a href=\"#\" class=\"kc_title_link\" title=\"\" target=\"\">Website<\/a><\/h2>\n<\/div>\n<div class=\"kc-elm kc-css-510095 kc_text_block text-desc\"><\/p>\n<p>\nWe have created every demo with<\/p>\n<p>latest web technologies<\/p>\n<p>\n<\/div><\/div><\/div><\/div><div class=\"kc-elm kc-css-755848 kc_row kc_row_inner box-3 box\"><div class=\"kc-elm kc-css-463337 kc_col-sm-12 kc_column_inner kc_col-sm-12\"><div class=\"layover kc_wrapper kc-col-inner-container\">\n<div class=\"kc-elm kc-css-514966 kc-title-wrap \">\n\n\t<h2 class=\"kc_title\"><a href=\"#\" class=\"kc_title_link\" title=\"\" target=\"\">Website<\/a><\/h2>\n<\/div>\n<div class=\"kc-elm kc-css-914852 kc_text_block text-desc\"><\/p>\n<p>\nWe have created every demo with<\/p>\n<p>latest web technologies<\/p>\n<p>\n<\/div><\/div><\/div><\/div><div class=\"kc-elm kc-css-719784 kc_row kc_row_inner box-4 box\"><div class=\"kc-elm kc-css-634743 kc_col-sm-12 kc_column_inner kc_col-sm-12\"><div class=\"layover kc_wrapper kc-col-inner-container\">\n<div class=\"kc-elm kc-css-849474 kc-title-wrap \">\n\n\t<h2 class=\"kc_title\"><a href=\"#\" class=\"kc_title_link\" title=\"\" target=\"\">Website<\/a><\/h2>\n<\/div>\n<div class=\"kc-elm kc-css-111772 kc_text_block text-desc\"><\/p>\n<p>\nWe have created every demo with<\/p>\n<p>latest web technologies<\/p>\n<p>\n<\/div><\/div><\/div><\/div><div class=\"kc-elm kc-css-824775 kc_row kc_row_inner box-5 box\"><div class=\"kc-elm kc-css-323718 kc_col-sm-12 kc_column_inner kc_col-sm-12\"><div class=\"layover kc_wrapper kc-col-inner-container\">\n<div class=\"kc-elm kc-css-756470 kc-title-wrap \">\n\n\t<h2 class=\"kc_title\"><a href=\"#\" class=\"kc_title_link\" title=\"\" target=\"\">Website<\/a><\/h2>\n<\/div>\n<div class=\"kc-elm kc-css-508640 kc_text_block text-desc\"><\/p>\n<p>\nWe have created every demo with<\/p>\n<p>latest web technologies<\/p>\n<p>\n<\/div><\/div><\/div><\/div><div class=\"kc-elm kc-css-2820 kc_row kc_row_inner box-6 box\"><div class=\"kc-elm kc-css-751253 kc_col-sm-12 kc_column_inner kc_col-sm-12\"><div class=\"layover kc_wrapper kc-col-inner-container\">\n<div class=\"kc-elm kc-css-787978 kc-title-wrap \">\n\n\t<h2 class=\"kc_title\"><a href=\"#\" class=\"kc_title_link\" title=\"\" target=\"\">Website<\/a><\/h2>\n<\/div>\n<div class=\"kc-elm kc-css-484401 kc_text_block text-desc\"><\/p>\n<p>\nWe have created every demo with<\/p>\n<p>latest web technologies<\/p>\n<p>\n<\/div><\/div><\/div><\/div><div class=\"kc-elm kc-css-526543 kc_row kc_row_inner box-7 box\"><div class=\"kc-elm kc-css-916135 kc_col-sm-12 kc_column_inner kc_col-sm-12\"><div class=\"layover kc_wrapper kc-col-inner-container\">\n<div class=\"kc-elm kc-css-575165 kc-title-wrap \">\n\n\t<h2 class=\"kc_title\"><a href=\"#\" class=\"kc_title_link\" title=\"\" target=\"\">Website<\/a><\/h2>\n<\/div>\n<div class=\"kc-elm kc-css-995694 kc_text_block text-desc\"><\/p>\n<p>\nWe have created every demo with<\/p>\n<p>latest web technologies<\/p>\n<p>\n<\/div><\/div><\/div><\/div><div class=\"kc-elm kc-css-279254 kc_row kc_row_inner box-8 box\"><div class=\"kc-elm kc-css-485378 kc_col-sm-12 kc_column_inner kc_col-sm-12\"><div class=\"layover kc_wrapper kc-col-inner-container\">\n<div class=\"kc-elm kc-css-274863 kc-title-wrap \">\n\n\t<h2 class=\"kc_title\"><a href=\"#\" class=\"kc_title_link\" title=\"\" target=\"\">Website<\/a><\/h2>\n<\/div>\n<div class=\"kc-elm kc-css-360780 kc_text_block text-desc\"><\/p>\n<p>\nWe have created every demo with<\/p>\n<p>latest web technologies<\/p>\n<p>\n<\/div><\/div><\/div><\/div><div class=\"kc-elm kc-css-336534 kc_row kc_row_inner box-9 box\"><div class=\"kc-elm kc-css-14039 kc_col-sm-12 kc_column_inner kc_col-sm-12\"><div class=\"layover kc_wrapper kc-col-inner-container\">\n<div class=\"kc-elm kc-css-153468 kc-title-wrap \">\n\n\t<h2 class=\"kc_title\"><a href=\"#\" class=\"kc_title_link\" title=\"\" target=\"\">Website<\/a><\/h2>\n<\/div>\n<div class=\"kc-elm kc-css-858861 kc_text_block text-desc\"><\/p>\n<p>\nWe have created every demo with<\/p>\n<p>latest web technologies<\/p>\n<p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/section><section id=\"blog\" class=\"kc-elm kc-css-241143 kc_row kenty_section_3\"><div class=\"kc-row-container  kc-container\"><div class=\"kc-wrap-columns\"><div class=\"kc-elm kc-css-440413 kc_col-sm-12 kc_column kc_col-sm-12\"><div class=\"kc-col-container\"><div class=\"kc-elm kc-css-977112 kc_tabs group kenty_owl_slide kc-tabs-slider\"><div class=\"owl-carousel\" data-owl-options='{\"items\":2,\"speed\":450,\"navigation\":\"\",\"pagination\":\"yes\",\"autoheight\":\"\",\"autoplay\":\"\",\"tablet\":1,\"mobile\":1}'><div id=\"new-tab\" class=\"kc-elm kc-css-306386 kc_tab ui-tabs-panel kc_ui-tabs-hide kc_clearfix box left\"><div class=\"kc_tab_content\"><div class=\"kc-elm kc-css-304003 kc_shortcode kc_single_image\">\n\n        <img decoding=\"async\" src=\"https:\/\/evato.info\/vixa\/wp-content\/uploads\/2016\/10\/site-img150.jpg\" class=\"\" alt=\"\" \/>    <\/div>\n\n<div class=\"kc-elm kc-css-50740 kc-title-wrap \">\n\n\t<h2 class=\"kc_title\"><a href=\"#\" class=\"kc_title_link\" title=\"\" target=\"\">Always combining its ground in simplicity<\/a><\/h2>\n<\/div>\n<div class=\"kc-elm kc-css-758906 kc_text_block text-desc\"><\/p>\n<p>\nThere are many variations of passages in look even slightly going to use a passage to be sure there hidden in the middle of text.<\/p>\n<p>\n<\/div><\/div><\/div><div id=\"new-tab\" class=\"kc-elm kc-css-72484 kc_tab ui-tabs-panel kc_ui-tabs-hide kc_clearfix box right\"><div class=\"kc_tab_content\"><div class=\"kc-elm kc-css-451261 kc_shortcode kc_single_image\">\n\n        <img decoding=\"async\" src=\"https:\/\/evato.info\/vixa\/wp-content\/uploads\/2016\/10\/site-img151.jpg\" class=\"\" alt=\"\" \/>    <\/div>\n\n<div class=\"kc-elm kc-css-455871 kc-title-wrap \">\n\n\t<h2 class=\"kc_title\"><a href=\"#\" class=\"kc_title_link\" title=\"\" target=\"\">Scrambled it to make a type specimen book<\/a><\/h2>\n<\/div>\n<div class=\"kc-elm kc-css-527986 kc_text_block text-desc\"><\/p>\n<p>\nThere are many variations of passages in look even slightly going to use a passage to be sure there hidden in the middle of text.<\/p>\n<p>\n<\/div><\/div><\/div><div id=\"new-tab\" class=\"kc-elm kc-css-970280 kc_tab ui-tabs-panel kc_ui-tabs-hide kc_clearfix box left\"><div class=\"kc_tab_content\"><div class=\"kc-elm kc-css-9300 kc_shortcode kc_single_image\">\n\n        <img decoding=\"async\" src=\"https:\/\/evato.info\/vixa\/wp-content\/uploads\/2016\/10\/site-img152.jpg\" class=\"\" alt=\"\" \/>    <\/div>\n\n<div class=\"kc-elm kc-css-811561 kc-title-wrap \">\n\n\t<h2 class=\"kc_title\"><a href=\"#\" class=\"kc_title_link\" title=\"\" target=\"\">Aldus pageMaker including versions<\/a><\/h2>\n<\/div>\n<div class=\"kc-elm kc-css-925450 kc_text_block text-desc\"><\/p>\n<p>\nThere are many variations of passages in look even slightly going to use a passage to be sure there hidden in the middle of text.<\/p>\n<p>\n<\/div><\/div><\/div><div id=\"new-tab\" class=\"kc-elm kc-css-350685 kc_tab ui-tabs-panel kc_ui-tabs-hide kc_clearfix box right\"><div class=\"kc_tab_content\"><div class=\"kc-elm kc-css-190596 kc_shortcode kc_single_image\">\n\n        <img decoding=\"async\" src=\"https:\/\/evato.info\/vixa\/wp-content\/uploads\/2016\/10\/site-img153.jpg\" class=\"\" alt=\"\" \/>    <\/div>\n\n<div class=\"kc-elm kc-css-977048 kc-title-wrap \">\n\n\t<h2 class=\"kc_title\"><a href=\"#\" class=\"kc_title_link\" title=\"\" target=\"\">Discovered the undoubtable source<\/a><\/h2>\n<\/div>\n<div class=\"kc-elm kc-css-34683 kc_text_block text-desc\"><\/p>\n<p>\nThere are many variations of passages in look even slightly going to use a passage to be sure there hidden in the middle of text.<\/p>\n<p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/section><section id=\"contact\" class=\"kc-elm kc-css-808049 kc_row kenty_section_4\"><div class=\"kc-row-container  kc-container\"><div class=\"kc-wrap-columns\"><div class=\"kc-elm kc-css-952702 kc_col-sm-12 kc_column kc_col-sm-12\"><div class=\"box kc-col-container\"><div class=\"kc-elm kc-css-32438 kc_text_block\"><\/p>\n<p>[vixa_cf7 _id=\"410832\" slug=\"contact-5\" class=\"kenty_contact\" title=\"How Can I Help You?\"]<\/p>\n<p>\n<\/div><\/div><\/div><\/div><\/div><\/section><section class=\"kc-elm kc-css-977951 kc_row kenty_section_5\"><div class=\"kc-row-container  kc-container\"><div class=\"kc-wrap-columns\"><div class=\"kc-elm kc-css-127644 kc_col-sm-12 kc_column kc_col-sm-12\"><div class=\"kc-col-container\">\n<div class=\"kc-elm kc-css-492874 kc-title-wrap \">\n\n\t<h2 class=\"kc_title\">Let's Work Together<\/h2>\n<\/div>\n<div class=\"kc-elm kc-css-283305 kc_box_wrap \"><a href=\"http:\/\/facebook.com\" target=\"_blank\" class=\"sfont letterspace caps\">Facebook<\/a><a href=\"http:\/\/twitter.com\" target=\"_blank\" class=\"sfont letterspace caps\">Twitter<\/a><a href=\"http:\/\/instagram.com\" target=\"_blank\" class=\"sfont letterspace caps\">Instagram<\/a><a href=\"mailto:info@vixa.com\" class=\"sfont letterspace caps\">Email<\/a><\/div><\/div><\/div><\/div><\/div><\/section><section id=\"works\" class=\"kc-elm kc-css-773355 kc_row nixa_section_2\"><div class=\"kc-row-container  kc-container\"><div class=\"kc-wrap-columns\"><div class=\"kc-elm kc-css-939907 kc_col-sm-12 kc_column kc_col-sm-12\"><div class=\"kc-col-container\"><div class=\"kc-elm kc-css-734542\" style=\"height: 50px; clear: both; width:100%;\"><\/div>\n<div class=\"kc-elm kc-css-376383 kc-animated kc-animate-eff-fadeInLeft kc-title-wrap \">\n\n\t<h4 class=\"caps sitecolor font-weight5 margin-bottom1\">Ricardo Mart\u00ednez<\/h4><h2 class=\"kc_title playfair big3 font-weight5 margin-bottom3\"><a href=\"https:\/\/fundacionricardomartinez.net\/en-us\/ricardo-martinez-gallery\/\" class=\"kc_title_link\" title=\"Under Maintenance\" target=\"\">View gallery<\/a><\/h2>\n<\/div>\n<div class=\"kc-elm kc-css-105291\" style=\"height: 50px; clear: both; width:100%;\"><\/div><\/div><\/div><\/div><\/div><\/section><\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":""},"class_list":["post-1452","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/fundacionricardomartinez.net\/en-us\/wp-json\/wp\/v2\/pages\/1452","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fundacionricardomartinez.net\/en-us\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/fundacionricardomartinez.net\/en-us\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/fundacionricardomartinez.net\/en-us\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/fundacionricardomartinez.net\/en-us\/wp-json\/wp\/v2\/comments?post=1452"}],"version-history":[{"count":125,"href":"https:\/\/fundacionricardomartinez.net\/en-us\/wp-json\/wp\/v2\/pages\/1452\/revisions"}],"predecessor-version":[{"id":4567,"href":"https:\/\/fundacionricardomartinez.net\/en-us\/wp-json\/wp\/v2\/pages\/1452\/revisions\/4567"}],"wp:attachment":[{"href":"https:\/\/fundacionricardomartinez.net\/en-us\/wp-json\/wp\/v2\/media?parent=1452"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}