{"id":3114,"date":"2018-12-03T05:59:15","date_gmt":"2018-12-03T05:59:15","guid":{"rendered":"https:\/\/fundacionricardomartinez.net\/en-us\/?page_id=3114"},"modified":"2022-11-24T14:13:52","modified_gmt":"2022-11-24T20:13:52","slug":"oliverio-martinez-de-hoyos-chronology","status":"publish","type":"page","link":"https:\/\/fundacionricardomartinez.net\/en-us\/oliverio-martinez-de-hoyos-chronology\/","title":{"rendered":"Oliverio Mart\u00ednez de Hoyos chronology"},"content":{"rendered":"<p><section id=\"home\" class=\"kc-elm kc-css-307457 kc_row kenty_section_slider\"><div class=\"kc-row-container\"><div class=\"kc-wrap-columns\"><div class=\"kc-elm kc-css-203758 kc_col-sm-12 kc_column kc_col-sm-12\"><div class=\"kc-col-container\"><div class=\"kc-masterslider \">\n\t\t<!-- MasterSlider -->\n\t\t<div id=\"P_MS69ee4fa50cffe\" class=\"master-slider-parent ms-parent-id-61\"  >\n\n\t\t\t\n\t\t\t<!-- MasterSlider Main -->\n\t\t\t<div id=\"MS69ee4fa50cffe\" class=\"master-slider ms-skin-default\" >\n\t\t\t\t \t\t\t\t \n\n\t\t\t<div  class=\"ms-slide\" data-delay=\"4.1\" data-fill-mode=\"fill\"   >\n\t\t\t\t\t<img decoding=\"async\" src=\"https:\/\/fundacionricardomartinez.net\/en-us\/wp-content\/plugins\/masterslider\/public\/assets\/css\/blank.gif\" alt=\"\" title=\"\" data-src=\"https:\/\/fundacionricardomartinez.net\/en-us\/wp-content\/uploads\/2018\/12\/oliverio-01.jpg\" \/>\n\n\t\t\t\t\t<div  class=\"ms-layer hps-title1\" style=\"\"      data-ease=\"easeOutQuint\"                data-offset-x=\"28\" data-offset-y=\"431\" data-origin=\"tl\" data-position=\"normal\"  >\n<span style=\"color: #e3e3e3;\">Oliverio Mart\u00ednez<\/span><br \/><span style=\"color: #e3e3e3;\">de Hoyos<\/span><br \/><span style=\"color: #e3e3e3;\">Sculptor<\/span><\/div>\n\n\t\t\t\t\t<div  class=\"ms-layer caps hps-title4\" style=\"\"      data-ease=\"easeOutQuint\"                data-offset-x=\"26\" data-offset-y=\"399\" data-origin=\"tl\" data-position=\"normal\"  >\n1901 -1938<\/div>\n\n\n\t\t\t\t<\/div>\n\t\t\t<div  class=\"ms-slide\" data-delay=\"4\" data-fill-mode=\"fill\"   >\n\t\t\t\t\t<img decoding=\"async\" src=\"https:\/\/fundacionricardomartinez.net\/en-us\/wp-content\/plugins\/masterslider\/public\/assets\/css\/blank.gif\" alt=\"\" title=\"\" data-src=\"https:\/\/fundacionricardomartinez.net\/en-us\/wp-content\/uploads\/2018\/12\/oliverio-21.jpg\" \/>\n\n\t\t\t\t\t<div  class=\"ms-layer hps-title1\" style=\"\"      data-ease=\"easeOutQuint\"                data-offset-x=\"24\" data-offset-y=\"436\" data-origin=\"tl\" data-position=\"normal\"  >\nOliverio Mart\u00ednez<br \/>de Hoyos<br \/>Sculptor<\/div>\n\n\t\t\t\t\t<div  class=\"ms-layer caps hps-title4\" style=\"\"      data-ease=\"easeOutQuint\"                data-offset-x=\"28\" data-offset-y=\"410\" data-origin=\"tl\" data-position=\"normal\"  >\n1901 -1938<\/div>\n\n\n\t\t\t\t<\/div>\n\t\t\t<div  class=\"ms-slide\" data-delay=\"4\" data-fill-mode=\"fill\"   >\n\t\t\t\t\t<img decoding=\"async\" src=\"https:\/\/fundacionricardomartinez.net\/en-us\/wp-content\/plugins\/masterslider\/public\/assets\/css\/blank.gif\" alt=\"\" title=\"\" data-src=\"https:\/\/fundacionricardomartinez.net\/en-us\/wp-content\/uploads\/2018\/12\/oliverio-19.jpg\" \/>\n\n\t\t\t\t\t<div  class=\"ms-layer hps-title1\" style=\"\"      data-ease=\"easeOutQuint\"                data-offset-x=\"17\" data-offset-y=\"545\" data-origin=\"tl\" data-position=\"normal\"  >\n<span style=\"color: #85745e;\">Oliverio Mart\u00ednez<\/span><br \/><span style=\"color: #85745e;\">de Hoyos<\/span><br \/><span style=\"color: #85745e;\">Sculptor<\/span><\/div>\n\n\t\t\t\t\t<div  class=\"ms-layer caps hps-title4\" style=\"\"      data-ease=\"easeOutQuint\"                data-offset-x=\"20\" data-offset-y=\"514\" data-origin=\"tl\" data-position=\"normal\"  >\n<span style=\"color: #85745e;\">1901 -1938<\/span><\/div>\n\n\n\t\t\t\t<\/div>\n\t\t\t<div  class=\"ms-slide\" data-delay=\"4\" data-fill-mode=\"fill\"   >\n\t\t\t\t\t<img decoding=\"async\" src=\"https:\/\/fundacionricardomartinez.net\/en-us\/wp-content\/plugins\/masterslider\/public\/assets\/css\/blank.gif\" alt=\"\" title=\"\" data-src=\"https:\/\/fundacionricardomartinez.net\/en-us\/wp-content\/uploads\/2018\/12\/oliverio-18.jpg\" \/>\n\n\t\t\t\t\t<div  class=\"ms-layer hps-title1\" style=\"\"      data-ease=\"easeOutQuint\"                data-offset-x=\"41\" data-offset-y=\"495\" data-origin=\"tl\" data-position=\"normal\"  >\n<span style=\"color: #d9d9d9;\">Oliverio Mart\u00ednez<\/span><br \/><span style=\"color: #d9d9d9;\">de Hoyos<\/span><br \/><span style=\"color: #d9d9d9;\">Sculptor<\/span><\/div>\n\n\t\t\t\t\t<div  class=\"ms-layer caps hps-title4\" style=\"\"      data-ease=\"easeOutQuint\"                data-offset-x=\"45\" data-offset-y=\"464\" data-origin=\"tl\" data-position=\"normal\"  >\n<span style=\"color: #d9d9d9;\">1901 - 1938<\/span><\/div>\n\n\n\t\t\t\t<\/div>\n\n\t\t\t<\/div>\n\t\t\t<!-- END MasterSlider Main -->\n\n\t\t\t \n\t\t<\/div>\n\t\t<!-- END MasterSlider -->\n\n\t\t<script>\n\t\t( window.MSReady = window.MSReady || [] ).push( function( $ ) {\n\n\t\t\t\"use strict\";\n\t\t\tvar masterslider_cffe = new MasterSlider();\n\n\t\t\t\/\/ slider controls\n\t\t\tmasterslider_cffe.control('bullets'    ,{ autohide:true, overVideo:true, dir:'h', align:'bottom', space:6 , margin:10  });\n\t\t\t\/\/ slider setup\n\t\t\tmasterslider_cffe.setup(\"MS69ee4fa50cffe\", {\n\t\t\t\twidth           : 1400,\n\t\t\t\theight          : 810,\n\t\t\t\tminHeight       : 0,\n\t\t\t\tspace           : 1,\n\t\t\t\tstart           : 1,\n\t\t\t\tgrabCursor      : true,\n\t\t\t\tswipe           : true,\n\t\t\t\tmouse           : true,\n\t\t\t\tkeyboard        : false,\n\t\t\t\tlayout          : \"fullwidth\",\n\t\t\t\twheel           : false,\n\t\t\t\tautoplay        : true,\n\t\t\t\tinstantStartLayers:true,\n\t\t\t\tloop            : true,\n\t\t\t\tshuffle         : false,\n\t\t\t\tpreload         : 0,\n\t\t\t\theightLimit     : true,\n\t\t\t\tautoHeight      : false,\n\t\t\t\tsmoothHeight    : true,\n\t\t\t\tendPause        : false,\n\t\t\t\toverPause       : false,\n\t\t\t\tfillMode        : \"fill\",\n\t\t\t\tcenterControls  : true,\n\t\t\t\tstartOnAppear   : false,\n\t\t\t\tlayersMode      : \"center\",\n\t\t\t\tautofillTarget  : \"\",\n\t\t\t\thideLayers      : false,\n\t\t\t\tfullscreenMargin: 0,\n\t\t\t\tspeed           : 20,\n\t\t\t\tdir             : \"h\",\n\t\t\t\tparallaxMode    : 'swipe',\n\t\t\t\tview            : \"basic\"\n\t\t\t});\n\n\t\t\t\n\t\t\twindow.masterslider_instances = window.masterslider_instances || [];\n\t\t\twindow.masterslider_instances.push( masterslider_cffe );\n\t\t});\n\t\t<\/script>\n\n<\/div><\/div><\/div><\/div><\/div><\/section><section id=\"about\" class=\"kc-elm kc-css-687339 kc_row\"><div class=\"kc-row-container  kc-container  kenty_section_1\"><div class=\"kc-wrap-columns\"><div class=\"kc-elm kc-css-879291 kc_col-sm-12 kc_column kc_col-sm-12\"><div class=\"kc-col-container\"><div class=\"kc-elm kc-css-720140 kc_row kc_row_inner box-wrap\"><div class=\"box\"><div class=\"kc-elm kc-css-408651 kc_col-sm-12 kc_column_inner kc_col-sm-12\"><div class=\"kc_wrapper kc-col-inner-container\"><div class=\"kc-elm kc-css-127762 kc_row kc_row_inner box-wrap\"><div class=\"kc-elm kc-css-970274 kc_col-sm-6 kc_column_inner kc_col-sm-6 left\"><div class=\"box-2 kc_wrapper kc-col-inner-container\">\n<div class=\"kc-elm kc-css-458836 kc-title-wrap \">\n\n\t<h2 class=\"kc_title\">Oliverio Mart\u00ednez<\/h2>\n<\/div>\n<\/div><\/div><div class=\"kc-elm kc-css-301993 kc_col-sm-6 kc_column_inner kc_col-sm-6 right\"><div class=\"box-1 kc_wrapper kc-col-inner-container\">\n<div class=\"kc-elm kc-css-136078 kc-title-wrap \">\n\n\t<h3 class=\"kc_title\">1901-1938<\/h3>\n<\/div>\n<\/div><\/div><\/div><div class=\"kc-elm kc-css-424137\" style=\"height: 30px; clear: both; width:100%;\"><\/div><div class=\"kc-elm kc-css-72921\" style=\"height: 30px; clear: both; width:100%;\"><\/div><div class=\"kc-elm kc-css-654688\" style=\"height: 30px; clear: both; width:100%;\"><\/div><div class=\"kc-elm kc-css-611007 kc_text_block text-desc\"><\/p>\n<div class=\"span6 module_number_2 module_cont module_text_area\">\n<div class=\"module_content\">\n<p>\u201cIt could be said that his fate had been clearly drawn: to come, to produce his art and leave, all very quickly. He had no time for more, not even to enjoy his work, to feel his success. His arrival was strange, he belonged to that type of artist working alone at home, almost hiding, without contacts, one of those who in all quietness and through an unavoidable self-discipline produced a wonderful ouevre\u201d (words by architect Carlos Obreg\u00f3n Santacilia, responsible for the construction of the Monument to the Revolution in Mexico City).<\/p>\n<\/div>\n<\/div>\n<p>\n<\/div><div class=\"kc-elm kc-css-117764\" style=\"height: 30px; clear: both; width:100%;\"><\/div><div class=\"kc-elm kc-css-242886 kc_text_block text-desc\"><\/p>\n<div class=\"span6 module_number_2 module_cont module_text_area\">\n<div class=\"module_content\">\n<p>Oliverio was the second child of what would become a large family in (he had 15 siblings, out of which 12 reached adulthood and a thirteenth was adopted). His parents were Elena de Hoyos de la Garza, a strict catholic and N\u00e9stor Mart\u00ednez Perales, a liberal, accountant in a rail company.<\/p>\n<\/div>\n<\/div>\n<p>\n<\/div><div class=\"kc-elm kc-css-574689\" style=\"height: 30px; clear: both; width:100%;\"><\/div><div class=\"kc-elm kc-css-262692 kc_text_block text-desc\"><\/p>\n<div class=\"span6 module_number_2 module_cont module_text_area\">\n<div class=\"module_content\" style=\"padding-left: 0px;\">\n<p>In 1907 the family moved to Mexico City, where Oliverio went to school and showed great talent for mathematics, algebra and geometry. He attended college in Mexico City between 1914 and 1919. He had been a good student and an obedient son, until he abandoned his studies in medicine and his mother warned him she \u201cwould not tolerate loafers\u201d at home.<\/p>\n<\/div>\n<\/div>\n<p>\n<\/div><div class=\"kc-elm kc-css-137809\" style=\"height: 30px; clear: both; width:100%;\"><\/div><div class=\"kc-elm kc-css-505648\" style=\"height: 30px; clear: both; width:100%;\"><\/div><div class=\"kc-elm kc-css-188865 kc_row kc_row_inner\"><div class=\"kc-elm kc-css-846442 kc_col-sm-6 kc_column_inner kc_col-sm-6\"><div class=\"kc_wrapper kc-col-inner-container\"><div class=\"kc-elm kc-css-19806 kc_shortcode kc_single_image\">\n\n        <a rel=\"prettyPhoto\" class=\"kc-pretty-photo\" href=\"https:\/\/fundacionricardomartinez.net\/en-us\/wp-content\/uploads\/2018\/12\/OM-2.jpg\" title=\"\" target=\"\">\n        <img decoding=\"async\" src=\"https:\/\/fundacionricardomartinez.net\/en-us\/wp-content\/uploads\/2018\/12\/OM-2-452x700xc.jpg\" class=\"\" alt=\"\" \/>    <\/a>\n    <\/div>\n<\/div><\/div><div class=\"kc-elm kc-css-998252 kc_col-sm-6 kc_column_inner kc_col-sm-6\"><div class=\"kc_wrapper kc-col-inner-container\"><div class=\"kc-elm kc-css-500897 kc_text_block text-desc\"><\/p>\n<div class=\"span6 module_number_2 module_cont module_text_area\">\n<div class=\"module_content\">\n<p>Oliverio then moved to New York City to work with his maternal uncles in the offices of the Mexican Railroad. Living conditions were unhealthy: two of Oliverio\u2019s flatmates came down with TB and it is likely that Oliverio himself was infected then also. His health was so poor he resolved to return to Mexico City and to move in with the family. From there, and in order to improve his health, he was sent out to work with other uncles in a lumber yard in the mountains of Durango, in the north of M\u00e9xico.<\/p>\n<\/div>\n<\/div>\n<p>\n<\/div><div class=\"kc-elm kc-css-149033\" style=\"height: 30px; clear: both; width:100%;\"><\/div><div class=\"kc-elm kc-css-273390 kc_text_block text-desc\"><\/p>\n<div class=\"span6 module_number_2 module_cont module_text_area\">\n<div class=\"module_content\">\n<p>Oliverio was always an affectionate and protecting brother, a model to some of his younger siblings. Some of them moved to Texas, where they stayed for 4 years. During those years they would correspond with Oliverio and tell him about their experiences. Oliverio wrote back loving letters in his small beautiful handwriting, always encouraging the younger ones to follow their interests freely, and was enthusiastic about their respectful and loving replies. He thus wrote to Enrico, encouraging him to define his calling and expressing his certainty that he would become \u201cone of the best persons I have known\u201d.<\/p>\n<\/div>\n<\/div>\n<p>\n<\/div><div class=\"kc-elm kc-css-699926\" style=\"height: 30px; clear: both; width:100%;\"><\/div><\/div><\/div><\/div><div class=\"kc-elm kc-css-284941\" style=\"height: 30px; clear: both; width:100%;\"><\/div><div class=\"kc-elm kc-css-915068 kc_text_block text-desc\"><\/p>\n<div class=\"span6 module_number_2 module_cont module_text_area\">\n<div class=\"module_content\">\n<p>To Ricardo, who was already a skilled draftsman and 17 years his junior, he would write constantly and exchange with him comic drawings, while at the same time encouraging him to \u201cwork more and eat less sweets\u201d.<\/p>\n<\/div>\n<\/div>\n<p>\n<\/div><div class=\"kc-elm kc-css-339718\" style=\"height: 30px; clear: both; width:100%;\"><\/div><div class=\"kc-elm kc-css-747310 kc_text_block text-desc\"><\/p>\n<div class=\"span6 module_number_2 module_cont module_text_area\">\n<div class=\"module_content\">\n<p>In 1929 Oliverio met and fell in love with his nieghbour, Elo\u00edna Pel\u00e1ez, 14 years his junior. He was so much in love that they got married a few years later, against her parents\u2019 wishes. They had a daughter, Mar\u00eda Elena. There remain many letters to Elo\u00edna, in which he tells her about his vocation and how he cannot stop thinking about her: \u201cMy name is Oliverio Guillermo Mart\u00ednez. I come from Piedras Negras, Coahuila and I am 27 years old. I am a fervent sculptor. But when I think of you I cannot bear to be spoken to.\u201d<\/p>\n<\/div>\n<\/div>\n<p>\n<\/div><div class=\"kc-elm kc-css-580647\" style=\"height: 30px; clear: both; width:100%;\"><\/div><div class=\"kc-elm kc-css-95191 kc_text_block text-desc\"><\/p>\n<div class=\"span6 module_number_2 module_cont module_text_area\">\n<div class=\"module_content\">\n<p>Oliverio\u2019s first serious encounter with art took place when he was already 27 and was admitted at the San Carlos Academy of Fine Arts. At the end of his first year he was awarded the first price in a sculpture contest and his work was exhibited in the Academy\u2019s courtyard. Shortly after, he made a sculpture of Emilio Carranza, which is now in Saltillo, and a monument commemorating Emiliano Zapata, which is in Cuautla. He worked in an atelier until 1934, when he took part as a contender in the competition to build groups of sculptures which would crown the monument to the Revolution, in Mexico City.<\/p>\n<\/div>\n<\/div>\n<p>\n<\/div><div class=\"kc-elm kc-css-876267\" style=\"height: 30px; clear: both; width:100%;\"><\/div><div class=\"kc-elm kc-css-537718 kc_text_block text-desc\"><\/p>\n<div class=\"span6 module_number_2 module_cont module_text_area\">\n<div class=\"module_content\">\n<p>Oliverio did not theorize about art, he produced it. He was independent and free of influences, always trying to figure out for himself the secrets of volume and to use his enormous creative energy. Although he had been a pupil of Jos\u00e9 Mar\u00eda Fern\u00e1ndez Urbina, he was regarded as self-taught, since his formal education was incomplete. He took part in founding what some critics call the Mexican School of Sculpture.<\/p>\n<\/div>\n<\/div>\n<p>\n<\/div><div class=\"kc-elm kc-css-650722\" style=\"height: 30px; clear: both; width:100%;\"><\/div><div class=\"kc-elm kc-css-943372 kc_text_block text-desc\"><\/p>\n<div class=\"span6 module_number_2 module_cont module_text_area\">\n<div class=\"module_content\">\n<p>Oliverio\u2019s work has been described as a fortunate mixture of dynamism, strength and extreme grandiosity, even though most of his works are in a small format. It expresses the artistic heritage of Prehispanic Mexico, and yet boasts modernistic features, such as the representation of themes related to social justice, based on the tenets of the Mexican Revolution. These, together with the mural paintings of the time, brought art and the people into close contact.<\/p>\n<\/div>\n<\/div>\n<p>\n<\/div><div class=\"kc-elm kc-css-109752\" style=\"height: 30px; clear: both; width:100%;\"><\/div><div class=\"kc-elm kc-css-394420 kc_text_block text-desc\"><\/p>\n<div class=\"span6 module_number_2 module_cont module_text_area\">\n<div class=\"module_content\">\n<p>Oliverio\u2019s career lasted only about 10 years. He was awarded the contract for the sculptures for the Monutment to the Revolution among 40 competitors. The call for applications specified that \u201cThe monument is to glorify the people and will be dedicated to the Revolution of yesterday, today, tomorrow and always.\u201d<\/p>\n<\/div>\n<\/div>\n<p>\n<\/div><div class=\"kc-elm kc-css-818319\" style=\"height: 30px; clear: both; width:100%;\"><\/div><div class=\"kc-elm kc-css-100581\" style=\"height: 30px; clear: both; width:100%;\"><\/div><div class=\"kc-elm kc-css-544511\" style=\"height: 30px; clear: both; width:100%;\"><\/div><div class=\"kc-elm kc-css-981749 kc_row kc_row_inner\"><div class=\"kc-elm kc-css-688511 kc_col-sm-6 kc_column_inner kc_col-sm-6\"><div class=\"kc_wrapper kc-col-inner-container\"><div class=\"kc-elm kc-css-218982 kc_text_block text-desc\"><\/p>\n<div class=\"span6 module_number_2 module_cont module_text_area\">\n<div class=\"module_content\">\n<p>Obreg\u00f3n Santacilia said \u201c\u2026for me Oliverio Martinez was a complete stranger. We actually had to look for him in order to inform him that he had been chosen in the first round of the competiton, together with Federico Canessi and Fernando Leal among others, and that he had to develop the first draft and take part in the second round. He was one of the chosen to produce his sketch in its actual size. By the third round his triumph was a fact. The simplicity of his composition was the main feature, but what made him succeed was his understanding of the architectural aspect of the monument, in such a way that it is difficult to tell where the building ends and the sculptures begin\u201d.<\/p>\n<\/div>\n<\/div>\n<p>\n<\/div><div class=\"kc-elm kc-css-164476\" style=\"height: 30px; clear: both; width:100%;\"><\/div><div class=\"kc-elm kc-css-514414 kc_text_block text-desc\"><\/p>\n<div class=\"span6 module_number_2 module_cont module_text_area\">\n<div class=\"module_content\">\n<p>Obreg\u00f3n Santacilia added: \u201c\u2026in spite of the beauty of his project, some critics were negative even before having seen it and tried to hinder its construction. Nevertheless Oliverio can be at peace, since from now on criticism shall be positive. The people have felt the monument, regard it as their own and find their own image represented in the sculptures. \u201c Oliverio\u2019s models were the stone masons, the foremen, their wives and children.<\/p>\n<\/div>\n<\/div>\n<p>\n<\/div><\/div><\/div><div class=\"kc-elm kc-css-536778 kc_col-sm-6 kc_column_inner kc_col-sm-6\"><div class=\"kc_wrapper kc-col-inner-container\"><div class=\"kc-elm kc-css-707326 kc_shortcode kc_single_image\">\n\n        <a rel=\"prettyPhoto\" class=\"kc-pretty-photo\" href=\"https:\/\/fundacionricardomartinez.net\/en-us\/wp-content\/uploads\/2018\/12\/Oliverio.jpg\" title=\"\" target=\"\">\n        <img decoding=\"async\" src=\"https:\/\/fundacionricardomartinez.net\/en-us\/wp-content\/uploads\/2018\/12\/Oliverio-452x700xc.jpg\" class=\"\" alt=\"\" \/>    <\/a>\n    <\/div>\n<\/div><\/div><\/div><div class=\"kc-elm kc-css-972111\" style=\"height: 30px; clear: both; width:100%;\"><\/div><div class=\"kc-elm kc-css-649259\" style=\"height: 30px; clear: both; width:100%;\"><\/div><div class=\"kc-elm kc-css-584019 kc_text_block text-desc\"><\/p>\n<div class=\"span6 module_number_2 module_cont module_text_area\">\n<div class=\"module_content\">\n<p>It is remarkable to perceive Oliverio\u2019s strong presence and long lasting influence in the world of sculpture, taking into account that his professional life was so brief, and to confirm that he has become a beacon in the Mexican sculptoric environment. A faint but constant beacon, a guide to future generations. Oliverio\u2019s work is regarded as a catalyst in Mexican sculpture of the XXth century and, in spite of his short artistic career, a bridge between the XIXth and XXth centuries.<\/p>\n<\/div>\n<\/div>\n<p>\n<\/div><div class=\"kc-elm kc-css-79354\" style=\"height: 30px; clear: both; width:100%;\"><\/div><div class=\"kc-elm kc-css-498029 kc_text_block text-desc\"><\/p>\n<div class=\"span6 module_number_2 module_cont module_text_area\">\n<div class=\"module_content\">\n<p>The works at the Monument were temporarily suspended in December 1934, due to the change of government, and resumed six months later, to be concluded in 1938. Oliverio\u2019s health worsened during that time. He had support from close friends such as Federico Canessi and Francisco Z\u00fa\u00f1iga, but was talked into separating from his wife and daughter by his parents in law, a sacrifice that affected his phyisical health and damaged him emotionally. This, as well as not being able to join the stone masons on the monument, plus the harsh criticism against his sculptures, and finally his poverty, hastened his death.<\/p>\n<\/div>\n<\/div>\n<p>\n<\/div><div class=\"kc-elm kc-css-484381\" style=\"height: 50px; clear: both; width:100%;\"><\/div><div class=\"kc-elm kc-css-615159 kc_row kc_row_inner\"><div class=\"kc-elm kc-css-154732 kc_col-sm-12 kc_column_inner kc_col-sm-12\"><div class=\"kc_wrapper kc-col-inner-container\"><div class=\"kc-elm kc-css-764347\" style=\"height: 300px; clear: both; width:100%;\"><\/div><div class=\"kc-elm kc-css-345540\" style=\"height: 300px; clear: both; width:100%;\"><\/div><\/div><\/div><\/div><div class=\"kc-elm kc-css-246399\" style=\"height: 30px; clear: both; width:100%;\"><\/div><div class=\"kc-elm kc-css-947764\" style=\"height: 30px; clear: both; width:100%;\"><\/div><div class=\"kc-elm kc-css-379486 kc_text_block text-desc\"><\/p>\n<p>\nArteaga, Agust\u00edn y Tibol, Raquel. <em>Fuerza y volumen. El lenguaje escult\u00f3rico de Oliverio Mart\u00ednez<\/em>. M\u00e9xico: Museo Nacional de Arte, 1996.<\/p>\n<p>\n<\/div><div class=\"kc-elm kc-css-501454\" style=\"height: 30px; clear: both; width:100%;\"><\/div><div class=\"kc-elm kc-css-346205 kc_text_block text-desc\"><\/p>\n<p>\nGuzm\u00e1n Urbiola, Xavier. <em>Oliverio Mart\u00ednez, 1901-1938<\/em>. M\u00e9xico: Museo Nacional de Arte, Gobierno del Estado de Coahuila, 2012.<\/p>\n<p>\n<\/div><div class=\"kc-elm kc-css-515628\" style=\"height: 50px; clear: both; width:100%;\"><\/div><div class=\"kc-elm kc-css-477911\" style=\"height: 50px; clear: both; width:100%;\"><\/div>\n<div class=\"kc-elm kc-css-607200 kc-animated kc-animate-eff-fadeInLeft kc-title-wrap \">\n\n\t<h4 class=\"caps sitecolor font-weight5 margin-bottom1\">Oliverio Mart\u00ednez de Hoyos<\/h4><h2 class=\"kc_title playfair big3 font-weight5 margin-bottom3\"><a href=\"https:\/\/fundacionricardomartinez.net\/en-us\/oliverio-martinez-galeria\/\" class=\"kc_title_link\" title=\"\" target=\"\">View gallery<\/a><\/h2>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/section><\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":""},"class_list":["post-3114","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/fundacionricardomartinez.net\/en-us\/wp-json\/wp\/v2\/pages\/3114","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fundacionricardomartinez.net\/en-us\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/fundacionricardomartinez.net\/en-us\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/fundacionricardomartinez.net\/en-us\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/fundacionricardomartinez.net\/en-us\/wp-json\/wp\/v2\/comments?post=3114"}],"version-history":[{"count":78,"href":"https:\/\/fundacionricardomartinez.net\/en-us\/wp-json\/wp\/v2\/pages\/3114\/revisions"}],"predecessor-version":[{"id":4578,"href":"https:\/\/fundacionricardomartinez.net\/en-us\/wp-json\/wp\/v2\/pages\/3114\/revisions\/4578"}],"wp:attachment":[{"href":"https:\/\/fundacionricardomartinez.net\/en-us\/wp-json\/wp\/v2\/media?parent=3114"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}